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Critical Theory of Communication New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet · 第 127 页

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Critical Theory of Communication New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet
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C H R I S T I A N F U C H S CRITICAL THEORY OF COMMUNICATION
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Marcuse (1955b) argues that the performance principle means that Thanatos governs humans and society and that alienation unleashes aggressive drives within humans (repressive desublimation) that result in an overall violent and aggressive society. Due to the high productivity reached in late-modern society, a historical alternative would be possible: the elimination of the repressive reality principle, the reduction of necessary working time to a minimum and the maximisation of free time, an eroticisation of society and the body, the shaping of society and humans by Eros, the emergence of libidinous social relations. Such a development would be a historical possibility – but one incompatible with capitalism and patriarchy.

4.4.4. Boltanski and Chiapello: The New Spirit of Capitalism

Luc Boltanski and Éve Chiapello (2007) argue that the rise of participatory management means the emergence of a new spirit of capitalism that subsumes the anti-authoritarian values of the political revolt of 1968 and the subsequently emerging New Left such as autonomy, spontaneity, mobility, creativity, networking, visions, openness, plurality, informality, authenticity, emancipation, etc. The topics of the movement would now be put into the service of those forces that it wanted to destroy. The outcome would have been ‘the construction of the new, so-called “network” capitalism’ (Boltanski and Chiapello 2007, 429) so that artistic critique that calls for authenticity, creativity, freedom and autonomy in contrast to social critique that calls for equality and overcoming class (37–38) today ‘indirectly serves capitalism and is one of the instruments of its ability to endure’ (490). Play labour is a new ideology of capitalism: objectively alienated labour is presented as creativity, freedom and autonomy that is fun for workers. The idea that workers should have fun and love their objective alienation has become a new ideological strategy of capital and management theory. ‘Facebook labour’ is an expression of play labour ideology as element of the new spirit of capitalism.

4.4.5. The Society of Self-Control

Gilles Deleuze (1995) has pointed out that in contemporary capitalism, disciplines are transformed in such a way that humans increasingly discipline themselves without direct external violence. He terms this situation the ‘society of (self-)control’. It can for example be observed in the strategies of participatory management. This method promotes the use of incentives and the integration of play into labour. It argues that work should be fun, workers should permanently develop new ideas, realise their creativity, enjoy free time within the factory, etc. The boundaries between work time and spare time, labour and play, become fuzzy. Work tends to acquire qualities of play, and entertainment in spare time tends to become labour-like. Working time and spare time become inseparable.

Herbert Marcuse and Social Media

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