{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"021891ed-c649-4b38-aee1-9249a053f447","title":"倦怠社会","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521704693","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"021891ed-c649-4b38-aee1-9249a053f447","id":"021891ed-c649-4b38-aee1-9249a053f447","uuid":"021891ed-c649-4b38-aee1-9249a053f447","title":"倦怠社会","normalized_title":"倦怠社会","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521704693","isbns":["9787521704693","0120192519"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":118,"navigation_url":"https://workshop.closeclaw.top/ai/book/021891ed-c649-4b38-aee1-9249a053f447","title_url":"https://workshop.closeclaw.top/ai/title/%E5%80%A6%E6%80%A0%E7%A4%BE%E4%BC%9A","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/021891ed-c649-4b38-aee1-9249a053f447/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/021891ed-c649-4b38-aee1-9249a053f447/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/021891ed-c649-4b38-aee1-9249a053f447","page_url":"https://workshop.closeclaw.top/api/ai/books/021891ed-c649-4b38-aee1-9249a053f447/page","search_url":"https://workshop.closeclaw.top/api/ai/books/021891ed-c649-4b38-aee1-9249a053f447/search"},"page":{"printed_page":100,"pdf_page":105,"physical_index":105,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"53d0f0a8cab47cdd6d062ba6cc1fb658a81f94be4823951666bf86b2245dabaf"},"chapter":"Müdigkeitsgesellschaft","content":"此外，美也来源于节日。卡尔·科雷尼写道：“为了节日盛装打扮，在节日时展示美，这是凡人所能达到的最接近神的状态：这也正是节日的本质，它为了艺术而存在，庆典和美之间存在天然的亲缘关系，没有任何一个民族如同希腊人一样出色地展示这一点，并如此完美地掌握祭拜仪式。”[5]在美、节日和祭拜的领域，希腊人达到了神奇、卓越的高度，没有任何其他欧洲民族和他们一样创造了如此多的荣光和美。甚至“美容”(Kosmetik)一词也来自希腊语中的“宇宙”(Kosmos)，意指美的、神性的秩序。\n\n艺术和节日紧密地联结在一起。在尼采看来，原始的艺术即庆典的艺术。艺术品是一种具体化明证，见证了一个文化中的神圣时刻。在其中，转瞬即逝的、日常的时间被取消了。“在过去，一切艺术品都陈列于人类举行庆典的长廊，作为神圣时刻的凭证和纪念碑。”艺术品起初是神圣时刻的纪念物。它们是一个文化神性时间的证明。起初艺术只存在于祭拜仪式中，是一种礼拜活动。艺术品最初也拥有神圣意义。如今艺术品的神性已消失殆尽。神圣意义被展览价值和市场价值取代。艺术品也不再出现在庆典上，而被安放于博物馆和银行的保险柜里。博物馆和银行保险柜成为艺术最终的蒙难所。它们是零时间(Null-Zeit)场所，是无时间性的。\n\n倦怠社会\n\n100","previous_page":99,"next_page":101}