{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"133f6995-a185-4d07-868c-941de6e1fb97","title":"娱乐至死・童年的消逝","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"133f6995-a185-4d07-868c-941de6e1fb97","id":"133f6995-a185-4d07-868c-941de6e1fb97","uuid":"133f6995-a185-4d07-868c-941de6e1fb97","title":"娱乐至死・童年的消逝","normalized_title":"娱乐至死童年的消逝","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":324,"navigation_url":"https://workshop.closeclaw.top/ai/book/133f6995-a185-4d07-868c-941de6e1fb97","title_url":"https://workshop.closeclaw.top/ai/title/%E5%A8%B1%E4%B9%90%E8%87%B3%E6%AD%BB%E3%83%BB%E7%AB%A5%E5%B9%B4%E7%9A%84%E6%B6%88%E9%80%9D","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/133f6995-a185-4d07-868c-941de6e1fb97/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/133f6995-a185-4d07-868c-941de6e1fb97/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/133f6995-a185-4d07-868c-941de6e1fb97","page_url":"https://workshop.closeclaw.top/api/ai/books/133f6995-a185-4d07-868c-941de6e1fb97/page","search_url":"https://workshop.closeclaw.top/api/ai/books/133f6995-a185-4d07-868c-941de6e1fb97/search"},"page":{"printed_page":66,"pdf_page":72,"physical_index":72,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"6a2d5851e8becead5e7a32449392d8b2d9beec5cffaca174ffa27a3e199f02b9"},"chapter":"第五章 躲躲猫1的世界","content":"照片中没有句法，这使它无法同这个世界理论。作为某时某地的“客观”片断，照片可以证明某个人在那里或发生了某事，但这样的证明却无法提供任何意见——无法提供“本来应该怎样”或者“本来可怎样”。照片表现的是事实，而不是关于这些事实的讨论或从这些事中得出的结论。但这并不意味着照片没有认识倾向。苏珊·桑塔格说照片是“我们通过照相机表现出来的东西对世界的理解”。2但她又进一步论述，一切真正的理解起源于我们不接受这个世界表面所表现出来的东西。当然，语言就是用来挑战、讨论、质疑那些我们眼中表面事物的一种工具。“真”“假”这样的表述只能出自语言的范畴。当我们看到一张照片的时候，“这是真的吗?”只能表示“这是某时某地的真实再现吗?”如果答案是“是”，那么就没有任何值得讨论的理由，因为不相信一张真实的照片显然是荒唐的。照片本身就是不容置疑的观点，代表着确定无误的事实。它无心辩驳，所以它就是无可辩驳的。\n\n66\n\n娱乐至死\n\n2 桑塔格，《论摄影》，第20页。\n\n1 萨洛蒙，《媒介的互动，认知和学习》，洛杉矶：爵西—巴斯，1979，第36页。","previous_page":65,"next_page":67}