{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"171eb612-d523-4536-900d-5453dce83960","title":"Cultural Crowdfunding Platform Capitalism, Labour And Globalization","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"171eb612-d523-4536-900d-5453dce83960","id":"171eb612-d523-4536-900d-5453dce83960","uuid":"171eb612-d523-4536-900d-5453dce83960","title":"Cultural Crowdfunding Platform Capitalism, Labour And Globalization","normalized_title":"culturalcrowdfundingplatformcapitalismlabourandglobalization","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":128,"navigation_url":"https://workshop.closeclaw.top/ai/book/171eb612-d523-4536-900d-5453dce83960","title_url":"https://workshop.closeclaw.top/ai/title/Cultural%20Crowdfunding%20Platform%20Capitalism%2C%20Labour%20And%20Globalization","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/171eb612-d523-4536-900d-5453dce83960/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/171eb612-d523-4536-900d-5453dce83960/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/171eb612-d523-4536-900d-5453dce83960","page_url":"https://workshop.closeclaw.top/api/ai/books/171eb612-d523-4536-900d-5453dce83960/page","search_url":"https://workshop.closeclaw.top/api/ai/books/171eb612-d523-4536-900d-5453dce83960/search"},"page":{"printed_page":110,"pdf_page":118,"physical_index":118,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"1a96ad5625bd5bed5d254b76129823975a2f45c88d3982be5ba4c4afbb2cc435"},"chapter":"Cultural Crowdfunding: Platform Capitalism, Labour and Globalization","content":"adapated to market strategies 39–45 for political and legislative action 47–48 L’Appel de Cthulhu (game) 4 Appleby, Joyce 30 Argentina 8, 83, 92 Argonauts of the Western Pacific (1922) 26 artists as ‘project creators’ 50, 61–62 ‘just want to be artists’ 73 Artistshare 2, 21 ‘ascendant innovation’ 18 Asefa, Getnet 87 attention 27 author-reader distinction blurred 27 AXA 45, 46\n\nB\n\nB2B (business-to-business) 19, 100   \nB2C (business-to-consumer)   \n19, 100   \nBackabuddy 70, 81, 84, 88, 94   \nBandstock.com 21   \nbanking partners 46–47   \nbanks 70, 82, 83   \nusage of 84   \nBanque Postale, La 45, 46, 70   \nBanque Public d’Investissement   \nFrance 3   \nBarnes, John A. 10   \nBarthes, Roland 2, 19   \nBartholdi (designer) 26   \nbehaviourist psychology 5   \nBenfeitoria 93, 94   \nBénistant, Alix 8, 79–98   \nBenkler, Yochai 17   \nbetting model, the 21   \nde Beukelaer, Christiaan 80–82   \nBihr, Robert 73   \nBlue Bees 42, 69   \nBNP Paribas 46   \nBoltanski, Luc 7, 37, 49, 53, 73   \nLe Bon, Gustave 29   \nBourdieu, Pierre 53   \nBrabham 4   \nBrabham, Daren C. 17, 60   \nBrazil 8, 83, 88, 92–93   \nBreton, Philippe 22   \nBulgaria 89–90   \nBurkina Faso 8, 84, 86\n\nC\n\ncapitalism 30, 61, 99 neo- 2 permanent revolution of 16, 20   \ncapitalist logics 63, 103   \nCardon, Dominique 102   \nCaruso, Felipe 94   \nCassavetes, John 25–26   \nCastells, Manuel 22, 23, 30   \nCatarse 83, 88, 93, 94, 96   \nCentral Bank of West African States (CBWAS) 89, 97   \nCentre d’Étude et de Recherche sur la Philanthropie (CerPHI) 20   \nCentre des Monuments Nationaux 52   \nChèvre, La 85   \nChiapello, Eve 7, 37, 49, 53, 73   \nChile 92   \nCIPE (Centre for Individual Private Enterprise), US 91   \nCitysoirée 89, 94, 96   \nclass 15, 29, 53, 85, 95, 99, 101   \nco-innovation 49   \ncollaboration 2, 20, 22, 81, 103, 104 diference between crowdsourcing and crowdfunding 19 ideology of 7, 79 internal 45   \n‘collaborative’ economy 38, 59, 63, 74, 96, 101\n\n110\n\nIndex","previous_page":null,"next_page":111}