{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"171eb612-d523-4536-900d-5453dce83960","title":"Cultural Crowdfunding Platform Capitalism, Labour And Globalization","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"171eb612-d523-4536-900d-5453dce83960","id":"171eb612-d523-4536-900d-5453dce83960","uuid":"171eb612-d523-4536-900d-5453dce83960","title":"Cultural Crowdfunding Platform Capitalism, Labour And Globalization","normalized_title":"culturalcrowdfundingplatformcapitalismlabourandglobalization","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":128,"navigation_url":"https://workshop.closeclaw.top/ai/book/171eb612-d523-4536-900d-5453dce83960","title_url":"https://workshop.closeclaw.top/ai/title/Cultural%20Crowdfunding%20Platform%20Capitalism%2C%20Labour%20And%20Globalization","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/171eb612-d523-4536-900d-5453dce83960/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/171eb612-d523-4536-900d-5453dce83960/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/171eb612-d523-4536-900d-5453dce83960","page_url":"https://workshop.closeclaw.top/api/ai/books/171eb612-d523-4536-900d-5453dce83960/page","search_url":"https://workshop.closeclaw.top/api/ai/books/171eb612-d523-4536-900d-5453dce83960/search"},"page":{"printed_page":111,"pdf_page":119,"physical_index":119,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"302ce975db53fd45249c44de2cadc09d0fd83adb36b4e6d09fbecfa5e634c329"},"chapter":"Cultural Crowdfunding: Platform Capitalism, Labour and Globalization","content":"‘collaborative’ web, the 1, 4, 45, 62\n\nCrowdfunding France 3, 67, 69, 72\n\nCollab research project 8, 107\n\nColombia 8, 85 crowdfunding (see also ‘platforms’ and ‘projects’) 2–9, 15–33\n\ncommitment, long-term 104\n\n‘archaeology’ of 15–16\n\ncommodification 38, 61, 68, 97\n\nwithin company strategy 5\n\ncommons-based peer production’ 17 as a complementary tool 101\n\ndistinct from crowdsourcing 19\n\ncommons, the 19, 37, 45, 54, 81, 104\n\nfinancial ofshoot of crowdsourcing 19\n\ncommonwealth 104\n\nfrench translation of 29\n\ncommunication-monde, la (1992) 30\n\ngenerous image of 71–72\n\nlegislation concerning 5, 47–48\n\ncommunity building 5, 65, 72, 101\n\norigins of 15–32\n\ncommunity management 52, 64, 66–67\n\nplatforms and labour 59–78\n\ncompetition 20, 29, 45, 49, 53, 54, 67, 74, 84, 97, 103\n\nplatforms as cultural intermediaries 35–58\n\npolitics and ethics of 5, 99–105\n\nlosers in 68\n\nas a pre-sales system 5\n\nConseil National du Numérique en France 39\n\nas publicity and communications tool 52, 101\n\nconsumption 27\n\ndescribed as ‘revolution’ 19–20, 28\n\ncontent management 64\n\nsecondary literature on 4–6\n\nconvergence 18, 39, 62\n\nvalorizes ‘project mode’ 103\n\nCorcuf, Philippe 36\n\ncrowdfunding week 92\n\ncorporate crowdfunding 44\n\ncrowd psychology 29\n\ncorruption 96\n\nCostantini, Stéphane 8, 79–98 crowdsourcing 2, 4, 15–33, 44, 62, 99, 104\n\n‘Create Miami’ campaign 83\n\nas apparatus 17, 61\n\ncreative class 15, 29, 85\n\ndefinitions of 16–18\n\ncreative economy 81, 91, 92 discourse of 80\n\ndiferent from commons-based peer production 17\n\ncreative ‘experiences’ 62\n\nand ideas of participation 7\n\ncreative industries 4, 21, 36, 41, 46, 50, 53, 64, 80, 92, 99\n\ninfluences content 19\n\norigins of 15–32\n\ncreative work\n\n‘umbrella’ term 18\n\ndisintermediation of 4\n\ncreativity 7, 38, 39, 46, 49–50, 59, 64, 81, 100\n\nCrowdsourcing: A Definition (2006) 17\n\n‘crowd’, the term 28, 29–30, 62\n\nCredofunding 43\n\ncultural\n\nCrowdfunder 46\n\ncapital 53\n\nCrowdFunding4Culture 48\n\ncrowdfunding day 92 diversity 51, 53, 60, 63, 81, 102–103\n\nCrowdfunding en Méditerranée 93\n\nfinancing 24–25\n\nIndex\n\n111","previous_page":110,"next_page":112}