{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"171eb612-d523-4536-900d-5453dce83960","title":"Cultural Crowdfunding Platform Capitalism, Labour And Globalization","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"171eb612-d523-4536-900d-5453dce83960","id":"171eb612-d523-4536-900d-5453dce83960","uuid":"171eb612-d523-4536-900d-5453dce83960","title":"Cultural Crowdfunding Platform Capitalism, Labour And Globalization","normalized_title":"culturalcrowdfundingplatformcapitalismlabourandglobalization","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":128,"navigation_url":"https://workshop.closeclaw.top/ai/book/171eb612-d523-4536-900d-5453dce83960","title_url":"https://workshop.closeclaw.top/ai/title/Cultural%20Crowdfunding%20Platform%20Capitalism%2C%20Labour%20And%20Globalization","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/171eb612-d523-4536-900d-5453dce83960/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/171eb612-d523-4536-900d-5453dce83960/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/171eb612-d523-4536-900d-5453dce83960","page_url":"https://workshop.closeclaw.top/api/ai/books/171eb612-d523-4536-900d-5453dce83960/page","search_url":"https://workshop.closeclaw.top/api/ai/books/171eb612-d523-4536-900d-5453dce83960/search"},"page":{"printed_page":80,"pdf_page":88,"physical_index":88,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"371f1081845f5403ba982e24c485e7e87e1778b09f4c1feb3c89a4709eddd7a2"},"chapter":"Cultural Crowdfunding: Platform Capitalism, Labour and Globalization","content":"and the authentic diversification of cultural exchanges and flows – in particular platforms inspired either by emancipatory and post-colonial political movements or by vernacular structures of mutual assistance?\n\nIntroductory Remarks\n\nThis chapter contains four sections. The first one develops several introductory remarks, taking into account the specificities of the research contexts in comparison with those covered in the previous chapters. The second gives a brief survey of the diferent categories of players present in the field of crowdfunding (and particularly crowdfunding for cultural production), and their distinctive strategies and logics. The third provides a clearer understanding of the discourses produced and/or propagated by the players involved in crowdfunding and its potential development. The last section addresses a specific aspect of the discourse and practice of the players in crowdfunding: eforts at ‘pedagogy’ and ‘education’ aimed at local populations.\n\nAs a first introductory remark, let us state that, in line with Christiaan de Beukelaer (2015), we have not limited our analysis to cultural productions (contents or services) resulting from the productive activity of the cultural and communications industries. Like de Beukelaer, we have broadened our focus to include cultural expressions that are the product of activities that may not necessarily be understood as a part of the sectors or production cycles associated with these industries. We have also taken into consideration the question of the informal economy: given its importance in sub-Saharan Africa, and in certain Latin American countries, we must understand it not as a problem but as a component of cultural industries as they emerge and develop in the South. A question then arises: does the development of platforms for collaborative production and financing contribute to the formalization of this economy? Or are informal modes of production and value creation instead perpetuated on such platforms, presenting hybrid or even alternative models to Western norms?\n\nA second introductory clarification bears upon the problematic of the flows of culture and ideology between North and South. De Beukelaer emphasizes that, when the development of so-called ‘creative’ industries is presented as a vector for the realization of ‘cultural potential’ in the countries of the South, a subliminal neoliberal discourse becomes overt (De Beukelaer 2015: 79). He continues:\n\nThe discourse of the creative economy is contrarily colonizing the cultural imagery, primarily through the perceived orthodoxy of the conditions for creation and circulation, rather than through the influx of cultural expressions, which is crucial in the cultural imperialism thesis. (De Beukelaer 2015: 129)\n\n80\n\nCultural Crowdfunding: Platform Capitalism, Labour and Globalization","previous_page":null,"next_page":81}