{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","id":"1cd40951-874b-4d06-9eea-f6afadf57c08","uuid":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","normalized_title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","isbns":["9787568912952","9781844652884"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":409,"navigation_url":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08","title_url":"https://workshop.closeclaw.top/ai/title/%E5%BE%B7%E5%8B%92%E5%85%B9%E5%85%B3%E9%94%AE%E6%A6%82%E5%BF%B5","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/1cd40951-874b-4d06-9eea-f6afadf57c08","page_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/page","search_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/search"},"page":{"printed_page":"193 / 1.36","pdf_page":207,"physical_index":207,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"d109b5cc1fb4c6f93926f7e3145f836aa5a6a91b8794901f67c63580e6d1123b"},"chapter":"德勒兹：关键概念 （原书第2版）","content":"德勒兹和加塔利似乎只是提供了一个对卡夫卡故事的寓言性解读，但他们坚持认为，卡夫卡不仅谈论了权力；相反，他致力于一项对现实世界的实验。内在于世界的权力关系为语言符码和表象所纠缠，卡夫卡的故事通过将其改写、改装，从而使那些关系现实化了。这个有些独特的观点在德勒兹和加塔利对《审判》的讨论中被发挥到了极致。卡夫卡的小说展示了作为一台复杂机器的法律(Law），它的组成部分是杂多的物体、空间、媒介、制度和人。每个人K、K的叔叔、莱尼、画家蒂托里、蒂托里画室外的小女孩儿都和法律联系在一起，而每一个空间都是一个法律的场所。那座住宅中有一间审讯室，银行储藏室是一间刑讯室，大教堂则被监狱牧师所掌握，而蒂托里的画室则毗邻法院办公室。法律机器的最终目的不是判断对错或分辨有罪与无辜，而不过是永不停歇地、来来回回地制造、形塑、安置和控制它的组件。这台法律机器是卡夫卡在奥匈帝国看到的正在运转的权力机制的一幅讽刺画，但也是即将到来的规训机制的一幅具有预见性的蓝图。\n\n10少数\n\n193\n\n1.36","previous_page":206,"next_page":208}