{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","id":"1cd40951-874b-4d06-9eea-f6afadf57c08","uuid":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","normalized_title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","isbns":["9787568912952","9781844652884"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":409,"navigation_url":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08","title_url":"https://workshop.closeclaw.top/ai/title/%E5%BE%B7%E5%8B%92%E5%85%B9%E5%85%B3%E9%94%AE%E6%A6%82%E5%BF%B5","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/1cd40951-874b-4d06-9eea-f6afadf57c08","page_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/page","search_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/search"},"page":{"printed_page":197,"pdf_page":211,"physical_index":211,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"5af360cff859ef3749af48326dfc809ae977774360e1192da7fe266b09c044a9"},"chapter":"德勒兹：关键概念 （原书第2版）","content":"对于少数文学、少数戏剧和少数电影来说，共同之处在于对语言的一种少数的运用，以及对内在于词语当中的权力关系的实验性解域。在少数戏剧中，实验从词语延伸到了言语行动中背景的组成部分：声音、手势、运动和布景。在少数电影中，实验囊括了言语行动的所有要素，同时也扩展到了观看方式。但是，少数概念—无论它被应用于小说、戏剧还是电影—的核心是：在艺术实验中，形式和政治是不可分割的。在把卡夫卡作为少数文学的一个例子而予以关注的过程中，德勒兹和加塔利反击了共同的假设，即欧洲现代主义的伟大作品大部分是不关心政治的，而且通过把卡夫卡的创新和诸如卡明斯、塞利纳和贝克特等作家的语言实验联系在一起，他们表明，一个总体上被认为是政治的维度渗入了许多据称是形式上的现代主义倾向之中。他们对卡夫卡的种族特性的核心地位的坚持，质疑了欧洲文化同质性的预设，但同时又引发了卡夫卡的实践和那些一般的少数作家的实践的对比。\n\n10少数\n\n197","previous_page":196,"next_page":198}