{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","id":"1cd40951-874b-4d06-9eea-f6afadf57c08","uuid":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","normalized_title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","isbns":["9787568912952","9781844652884"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":409,"navigation_url":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08","title_url":"https://workshop.closeclaw.top/ai/title/%E5%BE%B7%E5%8B%92%E5%85%B9%E5%85%B3%E9%94%AE%E6%A6%82%E5%BF%B5","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/1cd40951-874b-4d06-9eea-f6afadf57c08","page_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/page","search_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/search"},"page":{"printed_page":206,"pdf_page":220,"physical_index":220,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"7bed64191d101295bd75dae5ae88a41698eeaae1310fa6d8dba4c70113c22016"},"chapter":"德勒兹：关键概念 （原书第2版）","content":"此外，语言中产生的能指和所指之间的惯常联系从来都不是完善的、绝对的和永恒的。词语和文本并非稳定不变的信息输送者。它们是变化的、流动的实体，任何一个读者，当她读到“喜欢的”小说或看到喜欢的电影时，都会这么觉得。当个人使用语言的时候，符号的意义滑行并移动着。语言的克分子的、“多数的”(major)功能当然仍在起作用，但德勒兹指出语言的另一种功能，他称之为“少数性”(minor)功能。当语言再现秩序的克分子功能呈现出停顿、结巴的特征时，语言就“口吃”(stutter)了，从而打开了一个领域，它始终没有被社会的结构化过程(和克分子语言)束缚住。唤醒语言、感知语言、把语言推向这个领域，形成了德勒兹的工作焦点，而且它们被风格和口吃的概念给概括了。\n\n由于语言通过重复的、惯常的结构获得社会意义，所以德勒兹用一种非传统的方式来表现语言的滑行性这个观念，这种方式有时把符合规范的意义消耗了个干净。他使用了一系列概念，创造了新词或者老词的新意思，以论述这种可以替代的、共同存在的语言功能。就像他说明的，“一个概念有时需要一个新词来表达它，有时它需要用一个普通的词，赋予它独特的意思”(N：32)。德勒兹使他的语言口吃，揭示了表达形式的惯例性，而读者们却认为它理所应当。例如，他和加塔利用这种方式来给《千高原》开头(英译本是在先锋作曲家西尔瓦诺·布索蒂[Sylvano Bussoti]创作的狂暴的钢琴曲曲谱下面开始的)：\n\n206\n\n德勒兹：关键概念(原书第2版)","previous_page":205,"next_page":207}