{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","id":"1cd40951-874b-4d06-9eea-f6afadf57c08","uuid":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","normalized_title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","isbns":["9787568912952","9781844652884"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":409,"navigation_url":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08","title_url":"https://workshop.closeclaw.top/ai/title/%E5%BE%B7%E5%8B%92%E5%85%B9%E5%85%B3%E9%94%AE%E6%A6%82%E5%BF%B5","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/1cd40951-874b-4d06-9eea-f6afadf57c08","page_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/page","search_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/search"},"page":{"printed_page":"213 / 152","pdf_page":227,"physical_index":227,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"8107b1d4209b98eaa64ec06abcd2a8e78113af6b29c709b8ef2471a345b3e98c"},"chapter":"德勒兹：关键概念 （原书第2版）","content":"向我们敞开的，是什么样的抗议和反对明摆的事实(plaintruths)的有效途径呢？它将让我们听到什么样的不可言说的论断呢？它将采取何种办法让这些有关既定事实(given ones)的颠倒的、不可见的真理变得可见(make visiblc)呢？什么才能构成破坏这个意指体制的盔甲的方法呢？\n\n(2009:65，强调为作者所加)12\n\n通过风格和口吃的概念，德勒兹清晰地表述了一个革命的、政治的相位，一个把风格和反抗的艺术创造联系在一起的相位。正如他所强调的，“创造不是传播而是反抗”(N：143)。为了建立“一个邻近性区域(前提是创造这么做的文学手段)”(ECC：1-2)，德勒兹通过生成论证反抗，反之亦然。对于德勒兹来说，这个过程使我们跟随语言本身的迂回之路，正是这迂回构成了“振动的区域”，构成了“远离平衡状态”的区域，“面对面和面对背地让语言口吃，同时把作为整体的语言推向它的极限，推向它的外部，推向它的静默—这就像爆炸或崩溃”(ECC：113)。风格和口吃概念激活了语言的不平衡状态，用看似微小的创造性实验的碎片摧毁了固定的社会组织，而正是这种实验导致了生命的强化和扩大。\n\n注释\n\n亦作beat generation，通译为“垮掉的一代”，指的是第二次世界大战后美国出现的一批年轻人，他们对社会不满，蔑视传统观念，在服饰和行为方面摒弃常规，追求个性的自我张扬，长期浪迹于社会底层，形成了独特的社会圈子和处世哲学。——译者注\n\n11 风格，口吃\n\n213\n\n152","previous_page":226,"next_page":228}