{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","id":"1cd40951-874b-4d06-9eea-f6afadf57c08","uuid":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","normalized_title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","isbns":["9787568912952","9781844652884"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":409,"navigation_url":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08","title_url":"https://workshop.closeclaw.top/ai/title/%E5%BE%B7%E5%8B%92%E5%85%B9%E5%85%B3%E9%94%AE%E6%A6%82%E5%BF%B5","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/1cd40951-874b-4d06-9eea-f6afadf57c08","page_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/page","search_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/search"},"page":{"printed_page":250,"pdf_page":264,"physical_index":264,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"379eaf86000138feb74b2e8ce89c5f9ef16ae029f83d780d8a3d6123ab8bc812"},"chapter":"德勒兹：关键概念 （原书第2版）","content":"10 参见让·保罗-萨特的《论想象》(The Imaginary，[1940]2004)和《情感理论概述》(Sketch for a Theory of Emotions, [ 1939] 1962)。\n\n1关于德勒兹对电影中的文化差异和回忆的讨论，请参见马科斯(1999)。\n\n12 在他的很多著作中，德勒兹都把这条观念发展的进化式路径—从虚拟到现实—视为微分的过程，这个过程通过把回忆与延续转化为直觉而产生—这是一种对生命选择的理解(PS：41-4;B：95-102;C1：113-14)。\n\n关于这一立场的历史性总结，请参见历史学家莱因哈特·科泽勒克([1979]1995:92-104)。\n\n16 如果说，对另一个时刻、另一个影像、另一种回忆、另一种未来的识别是在电影的晶体(声觉符号-视觉符号)时刻中产生的，那么，德勒兹的兴趣之所在—即时间的矛盾性，以及它和对存在与意义的协调(coordination)及结构(structures)的认识之间的关系—也就源自于柏格森在《创造进化论》(Creative Evolution,1911)一书中的论述，这些论述关乎从物质到以时间为中介的事件的催化效果的多样化发展过程。柏格森对时间的嫡性(cntrophic nature)的运用使得德勒兹能够重估关于时间的陈词滥调，并对它们加以重新的塑造，他根据的则是熵的时间性法则，而这将要被他(和加塔利)发展为关于现实的根茎化过程的理解\n\n250\n\n德勒兹：关键概念(原书第2版)","previous_page":null,"next_page":251}