{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","id":"1cd40951-874b-4d06-9eea-f6afadf57c08","uuid":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","normalized_title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","isbns":["9787568912952","9781844652884"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":409,"navigation_url":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08","title_url":"https://workshop.closeclaw.top/ai/title/%E5%BE%B7%E5%8B%92%E5%85%B9%E5%85%B3%E9%94%AE%E6%A6%82%E5%BF%B5","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/1cd40951-874b-4d06-9eea-f6afadf57c08","page_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/page","search_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/search"},"page":{"printed_page":"273 / 194","pdf_page":287,"physical_index":287,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"10f7a6959c83d41aee8aa501d98bc8e159226a6e05bb5fc1e6c82e450e1069bf"},"chapter":"德勒兹：关键概念 （原书第2版）","content":"正是在这里，开始了德勒兹对褶子和折叠的狂想。当一次复制产生出内在和外在的表面时——在法语中，doublure同时意味着缝在衣服上的里衬和电影制作中的替身，甚至是一个“复本”(double)，就像阿尔托在他关于戏剧的著作中所使用的术语那样—某种和存在之间的新关系就诞生了。内与外过去(记忆)和当下(主体性)—是一个表面的两个面。一个人与他或她的身体的关系既变成了“档案”（archive)，也成了“图表”(diagram)，既变成了主体化过程的集合体，又变成了以过去为基础并根据周围世界中的事件和要素绘制而成的精神地图。德勒兹声称有四个褶子，就像“地狱的四条河”（FCLT：104，译文有改动)，影响着主体和它自身的关系：首先是身体的褶子，即在肉体的褶子中被包围和被利用的部分；其次是“力量关系的褶子”，或社会冲突；再次是“知识的褶子，或真理的褶子，因为它构成了真实与我们的存在之间的关系”(FCLT：104，译文有改动)，反之亦然；最后是“外部本身的，即最后一个”褶子(FCLT：104，译文有改动），即生命的限度和死亡的褶子。这些褶子中，每一个褶子都涉及主体性的亚里士多德式原因(质料因、动力因、形式因和目的因)，并且有属于它自己的多变的节奏。德勒兹提醒我们，在思考主体性如何在我们的时代里被高度地内在化、个体化、孤立化之前，我们有必要考察这四个褶子的性质。争取主体性的斗争就是一场要赢得承认差异、变化和变形之权利的斗争。\n\n15 褶子与折叠\n\n273\n\n194","previous_page":286,"next_page":288}