{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"1cd40951-874b-4d06-9eea-f6afadf57c08","id":"1cd40951-874b-4d06-9eea-f6afadf57c08","uuid":"1cd40951-874b-4d06-9eea-f6afadf57c08","title":"德勒兹关键概念","normalized_title":"德勒兹关键概念","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568912952","isbns":["9787568912952","9781844652884"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":409,"navigation_url":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08","title_url":"https://workshop.closeclaw.top/ai/title/%E5%BE%B7%E5%8B%92%E5%85%B9%E5%85%B3%E9%94%AE%E6%A6%82%E5%BF%B5","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/1cd40951-874b-4d06-9eea-f6afadf57c08/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/1cd40951-874b-4d06-9eea-f6afadf57c08","page_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/page","search_url":"https://workshop.closeclaw.top/api/ai/books/1cd40951-874b-4d06-9eea-f6afadf57c08/search"},"page":{"printed_page":"vi","pdf_page":5,"physical_index":5,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"7c418e3b525f06539a07a5a18ed3b714a83db07521cac07eb8f7b413dfb4f7ab"},"chapter":"德勒兹：关键概念 （原书第2版）","content":"弗利西蒂·J. 科尔曼(Felicity J. Colman)是曼彻斯特城市大学电影与媒介研究高级讲师。除了有关银幕效应、女性理论、媒介理论和艺术理论的大量篇章之外，她还主编了《电影、理论与哲学》(Film，Theory and Philosophy，Acumen，2009)，并且是《感觉》(Sensorium,2007)的合伙编辑。她是《德勒兹和电影》(Deleuze andCinema,2010)、《当代电影理论》(Contemporary Film Theory, 2011)、《银幕效应》（ScreenAffect，即出）和《罗伯特·斯密森》（RobertSmithson，即出)的作者。\n\n汤姆·康利(Tom Conley)是哈佛大学罗曼语及视觉与环境研究的洛威尔讲席教授(Lowell Professor)，也是《褶子》(Fold, 1993)的译者以及最近出版的《流盼的目光》(An Errant Eye,2011)、《图绘电影》(Cartographic Cinema,2007)和《自制的地图》(The Self-MadeMap,1996/2011年重印)的作者。\n\n格雷戈里·弗拉克斯曼(Gregory Flaxman)是位于查珀尔希尔的北卡罗来纳大学英语和比较文学系的副教授。他是《德勒兹和哲学寓言(卷—)(Deleuze and the Fabulation of Philosophy, Volume I,2011)的作者和《头脑即银幕》(The Brain is the Screen,2000)的编辑。现在，他正在准备与艾琳娜·奥克斯曼合著两卷本《电影/哲学读本》(Film/Philosophy Reader,明尼苏达大学出版社)。\n\n尤金·W. 霍兰德(Eugene W. Holland) 是俄亥俄州立大学比较研究系的教授和主任。除了撰写过关于德勒兹和加塔利的大量文章之外，他还是《波德莱尔与精神分裂》（BaudelaireandSchizoanalysis,1993)、《精神分裂导论》（Introduction to Schizoanalysis，1999)和《游牧民》(Nomad Citizenship，即出)的作者。\n\n卡伦·霍尔(Karen Houle)用同样的时间成了一位作家、学者和母亲。她在圭尔夫大学(安大略省)教授哲学。她已经发表了论斯宾诺莎、伊利格瑞、德里达、福柯、德勒兹和加塔利的论文。她的第一本书《压舱物》(Ballast,2000)，被提名为加拿大最好的诗歌书籍，荣获(加拿大诗人联合会）兰珀特奖。她的第二本诗集《当……的时候》(During)已由Gaspereau出版社出版(2008)。她还与J.弗农合编了一部黑格尔与德勒兹的选集(即出)。\n\nvi\n\n德勒兹：关键概念(原书第2版)","previous_page":4,"next_page":6}