{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"1dc0854c-957b-4fb1-af9a-bb4fdb76b77e","title":"Time, Consumption and Everyday Life Practice, Materiality and Culture","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"1dc0854c-957b-4fb1-af9a-bb4fdb76b77e","id":"1dc0854c-957b-4fb1-af9a-bb4fdb76b77e","uuid":"1dc0854c-957b-4fb1-af9a-bb4fdb76b77e","title":"Time, Consumption and Everyday Life Practice, Materiality and Culture","normalized_title":"timeconsumptionandeverydaylifepracticematerialityandculture","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":236,"navigation_url":"https://workshop.closeclaw.top/ai/book/1dc0854c-957b-4fb1-af9a-bb4fdb76b77e","title_url":"https://workshop.closeclaw.top/ai/title/Time%2C%20Consumption%20and%20Everyday%20Life%20Practice%2C%20Materiality%20and%20Culture","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/1dc0854c-957b-4fb1-af9a-bb4fdb76b77e/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/1dc0854c-957b-4fb1-af9a-bb4fdb76b77e/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/1dc0854c-957b-4fb1-af9a-bb4fdb76b77e","page_url":"https://workshop.closeclaw.top/api/ai/books/1dc0854c-957b-4fb1-af9a-bb4fdb76b77e/page","search_url":"https://workshop.closeclaw.top/api/ai/books/1dc0854c-957b-4fb1-af9a-bb4fdb76b77e/search"},"page":{"printed_page":213,"pdf_page":212,"physical_index":212,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"7cc57aaf83fc8a87e3533bfd665fa75cfe21919d76ada64ea6d5b47041c1b3c8"},"chapter":"List of Tables and Figures","content":"Such screenplays written for the drama of wooden boating bring boats to the fore and stage owners in the background as responsible care-takers of boats which are both unique and personified. The owners of Silene thus construct a duty for themselves, a moral location, as well as a location in the material world. However, it is not only the boat as an assembly of boards, bolts and spars which is capable of playing the role of Silene and of placing compelling demands on the owners. In addition, takenfor-granted ways of appreciating boats and maintaining them properly – the shared practice of wooden boating – constitute an essential scenery and a stage on which this drama unfolds.\n\nScripting the Times of Wooden Boating\n\nIn this chapter I argue that human understandings of time, that is, temporalities, depend on, reflect and partly stem from the material world. Such notions of mutual constitution or co-determination bear on the tradition of science and technology studies. In this tradition Law (1992, cited in Ilmonen 2004), for example, points out that humans have preferences in how to use and interact with goods, but that this is reciprocal. Goods, too, have preferences, in the form of inscribed modes of use. Goods thus tell us how to approach them and what to do with them. Accordingly, temporalities can be regarded as particular scripts. However, the notion of reciprocal object relations implies that scripting is an ongoing process. Scripts are not located solely in goods or in the material infrastructure. In the case of wooden boats this is very obvious. Racing boats that were initially designed to be short-lived experiments and tool-like vernacular boats are now being restored and renovated in ways never anticipated, let alone scripted, by their designers or builders.\n\nAs we have seen, the accumulation of skills is one dynamic feature of material interaction. Accumulations of skill can result in an ever-closer relationship to (or unity with) specific objects. Equally, inscribed ways of practising may be so demanding as to exclude novices. On both counts, the skilled practitioner understands the object and has attuned his/her body-mind to it in the course of learning the trade.\n\nConsidering the skilled actions of a co-determined practitioner provides one way to think about the autotelic time of human action (Szerszynski 2002). For the sake of simplicity, one can contrast two extremes: ‘economic man’, who has the will and the ability to constantly optimize time use, and the skilled human being, or a body-mind (Reckwitz 2002), who is accustomed to use particular tools for pre-given purposes with an ‘objectively’ and materially given rhythm. In the latter case, the particular context of, for example, wooden boating establishes tasks such as ‘the impregnation of the hull with linen oil’, which is to be done at fifteen year intervals and to last for at least twenty-four hours per each treatment. In this case time is strongly configured by the practice and precludes ongoing efforts to optimize and economize one’s use of time.\n\nMaking Time\n\n213","previous_page":212,"next_page":214}