{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"23213c30-c106-450b-b614-8f04f11e561c","title":"象征的贫困1——超工业时代","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305234736","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"23213c30-c106-450b-b614-8f04f11e561c","id":"23213c30-c106-450b-b614-8f04f11e561c","uuid":"23213c30-c106-450b-b614-8f04f11e561c","title":"象征的贫困1——超工业时代","normalized_title":"象征的贫困1超工业时代","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305234736","isbns":["9787305234736"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":89,"navigation_url":"https://workshop.closeclaw.top/ai/book/23213c30-c106-450b-b614-8f04f11e561c","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B01%E2%80%94%E2%80%94%E8%B6%85%E5%B7%A5%E4%B8%9A%E6%97%B6%E4%BB%A3","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/23213c30-c106-450b-b614-8f04f11e561c/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/23213c30-c106-450b-b614-8f04f11e561c/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/23213c30-c106-450b-b614-8f04f11e561c","page_url":"https://workshop.closeclaw.top/api/ai/books/23213c30-c106-450b-b614-8f04f11e561c/page","search_url":"https://workshop.closeclaw.top/api/ai/books/23213c30-c106-450b-b614-8f04f11e561c/search"},"page":{"printed_page":"91 / 068 / 069","pdf_page":45,"physical_index":45,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"51a4efb9436d1a30ad98a688b3c453f1241aa024b8eabf43654e9b1d32734814"},"chapter":"折射集 prisma","content":"最终还是马克唱了一首埃迪·米切尔的《白人蓝调》作为结尾。\n\n一首蓝调。\n\n最后几分钟，各个人物用各种语气说着令他们痛苦的不好，这时刻对我们而言是巨大的生存之乐(bien-être)的时刻。谢天谢地！终于说了。终于解脱。我们的不好被说了出来。\n\n“我也不……”\n\n在《什么?》中，简或者珍妮说：\n\n随后尼古拉又唱道：这是最后一场，这是最后一段，银幕上的帷幔此刻已经下降。(埃迪·米切尔)\n\n正是从《什么?》开始，“用语言表达”所谓的生存之痛才成为可能总是采用歌曲形式。随后歌曲重新响起，尤其是克洛德·弗朗索瓦的歌曲，然而这时的歌曲却有了另一种曲调。它们犹如脱缰野马一首连着一首，连续不断直至尾声，将我们带入了一种兴奋的陶醉之中。在这个几平悲剧性的结尾开始时，在这个情感宣泄的过程中，在这个解放性的爆发中，所有人物都面对卡米叶，最后齐声高唱电话乐队的歌词：\n\n这真是你呀！  \n这感觉到啦，  \n这真是你呀！  \n这感觉到真是你呀！\n\n会再来的。(于连·克莱尔)\n\n随即克洛德，奥迪尔的丈夫，和上克洛德·弗朗索瓦的歌词：\n\n你宁死也不投降。\n\n91\n\n象征的贫困1：超工业时代\n\n068\n\n似乎缺乏的是我们或如何从阿兰·雷乃的《法国香颂》中寻找武器\n\n069","previous_page":44,"next_page":46}