{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"24db3d42-72f5-4236-8255-80f6ff3283d0","title":"回到福柯 暴力性构序与生命治安的话语构境","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208136014","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"24db3d42-72f5-4236-8255-80f6ff3283d0","id":"24db3d42-72f5-4236-8255-80f6ff3283d0","uuid":"24db3d42-72f5-4236-8255-80f6ff3283d0","title":"回到福柯 暴力性构序与生命治安的话语构境","normalized_title":"回到福柯暴力性构序与生命治安的话语构境","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208136014","isbns":["9787208136014"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":611,"navigation_url":"https://workshop.closeclaw.top/ai/book/24db3d42-72f5-4236-8255-80f6ff3283d0","title_url":"https://workshop.closeclaw.top/ai/title/%E5%9B%9E%E5%88%B0%E7%A6%8F%E6%9F%AF%20%E6%9A%B4%E5%8A%9B%E6%80%A7%E6%9E%84%E5%BA%8F%E4%B8%8E%E7%94%9F%E5%91%BD%E6%B2%BB%E5%AE%89%E7%9A%84%E8%AF%9D%E8%AF%AD%E6%9E%84%E5%A2%83","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/24db3d42-72f5-4236-8255-80f6ff3283d0/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/24db3d42-72f5-4236-8255-80f6ff3283d0/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/24db3d42-72f5-4236-8255-80f6ff3283d0","page_url":"https://workshop.closeclaw.top/api/ai/books/24db3d42-72f5-4236-8255-80f6ff3283d0/page","search_url":"https://workshop.closeclaw.top/api/ai/books/24db3d42-72f5-4236-8255-80f6ff3283d0/search"},"page":{"printed_page":21,"pdf_page":76,"physical_index":76,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"eb272b0b8ddb66a61350dbbe9e9f99fb71f6e886740426dbc5346d39ce41670b"},"chapter":"回到福柯","content":"空隙:布勒东和超现实主义\n\n1966年,青年福柯做过一次专门的访谈,问题聚焦于布勒东[99]和超现实主义[100]对他思想的影响。可能,这是他那个时代中所有法国激进思想家都无法回避的支援背景。对此,福柯很坦率地承认自己就出场于“布勒东留在身后的那个空隙(creux)之中”[101]。这个空隙是一种另类构境激活点，即现实生活构序的非常性颠倒和理性光亮照不到时的边缘地带。\n\n首先,在青年福柯看来,布勒东最重要的贡献是“使写作与认知(écrireet savoir)这两个形象—长期以来对彼此来说对方都是陌生人(étrangères)—充分地交流”。福柯说，在这一点上，布勒东的作用类似于歌德。\n\n对布勒东来说，被迫进入认知的写作(以及被迫进入写作的认知)相反是一种把人(homme)推到它的界限(limites)之外，迫使它走向不可跨越的绝境(l'acculerà l'infranchissable)，把它放到最接近于最远离它的东西的位置上的方式。这解释了布勒东对无意识、疯狂和梦的兴趣。[102]\n\n这是说，受弗洛伊德的影响，布勒东将正常理性主体自我视作超我暴力的妥协产物，主张在离文明关注的逻各斯世界最远的边缘上才存在着真实的生命涌动，或者说，在写作理性不在场的梦和疯狂之绝境中，我们才会遭遇生命的真相。如果说，“德国浪漫主义者的梦是为觉醒的光芒所照亮的黑夜(la lumière de la veille),而布勒东的梦则是处在白天中心的不可撼动的黑夜之核(noyaudenuit)”[103]。在歌德要照亮黑夜的地方,布勒东则是要让我们进入白日中的黑夜之暗处。白日中有黑暗，这可能是法国超现实主义异轨于德国浪漫主义的深刻之处。这也是福柯那个黑暗考古学的深刻缘起。\n\n导言:让福柯自己说福柯\n\n21","previous_page":20,"next_page":22}