{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"2619284f-c364-4de3-bdf4-82f768dbc1c5","title":"Democracy and Other Neoliberal Fantasies Communicative Capitalism and Left Politics","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"2619284f-c364-4de3-bdf4-82f768dbc1c5","id":"2619284f-c364-4de3-bdf4-82f768dbc1c5","uuid":"2619284f-c364-4de3-bdf4-82f768dbc1c5","title":"Democracy and Other Neoliberal Fantasies Communicative Capitalism and Left Politics","normalized_title":"democracyandotherneoliberalfantasiescommunicativecapitalismandleftpolitics","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":229,"navigation_url":"https://workshop.closeclaw.top/ai/book/2619284f-c364-4de3-bdf4-82f768dbc1c5","title_url":"https://workshop.closeclaw.top/ai/title/Democracy%20and%20Other%20Neoliberal%20Fantasies%20Communicative%20Capitalism%20and%20Left%20Politics","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/2619284f-c364-4de3-bdf4-82f768dbc1c5/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/2619284f-c364-4de3-bdf4-82f768dbc1c5/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/2619284f-c364-4de3-bdf4-82f768dbc1c5","page_url":"https://workshop.closeclaw.top/api/ai/books/2619284f-c364-4de3-bdf4-82f768dbc1c5/page","search_url":"https://workshop.closeclaw.top/api/ai/books/2619284f-c364-4de3-bdf4-82f768dbc1c5/search"},"page":{"printed_page":157,"pdf_page":167,"physical_index":167,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"d10b5b57657ca9b0c764269ab70cc6f8d58417b19d0d9160f57db985f2c16cac"},"chapter":"Comunicative Capitalism & Left Politics","content":"The remainder of the film folows the pattern of voice-over, segment from news media and interviews, and repetition of ambient/ chill/ lounge/ techno samples. Most often, the samples reemerge at those moments when the voice-over is mentioning particularly telling facts, facts that need to be linked to other facts, facts the conection together of which produces the knowledge of a conspiracy within the U.S. government. A segment on Rani Hanjour, the alleged pilot of American Airlines flight $^ { 7 7 }$ the one presumed to have crashed into the Pentagon, features an interview with a staf member from Hanjour's training school. The hypnotic beat and repetitive sampling come in just after the staf member finishes describing how inept Hanjour was as a pilot and the voice-over mentions that air-trafic controllers at Dules presumed the plane was flown by a military pilot.\n\nThe satisfying repetitions of the ambient/ chill/lounge /techno tracks reinforce the pleasures of conspiracy theory. They provide the film with an edginess, a trangressive allure that reiterates the transgressions the film purports to reveal. It's a soundtrack of revelation and disconcealment inviting viewers and hearers to share in the secret, the secret knowledge of political violence and obscenity. As mainstream a magazine as Time gets it. In a page-one article from the September n, 2oo6, issue, the columnist Lev Grossman writes: 'Watching Loose Change, you feel as if you are participating in the great American tradition of self-reliance and nonconformist, antiauthoritarian dissent. You're fighting the power. You're think: ing diferent:'19 We don't need to believe the Bush administration's lies when we can see the evidence and know what really happened.\n\nCERTAINTY\n\n157","previous_page":null,"next_page":null}