{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"296fac69-2927-4952-8b17-011f7141a0cd","title":"现代性的哲学话语","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544715829","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"296fac69-2927-4952-8b17-011f7141a0cd","id":"296fac69-2927-4952-8b17-011f7141a0cd","uuid":"296fac69-2927-4952-8b17-011f7141a0cd","title":"现代性的哲学话语","normalized_title":"现代性的哲学话语","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544715829","isbns":["9787544715829"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":463,"navigation_url":"https://workshop.closeclaw.top/ai/book/296fac69-2927-4952-8b17-011f7141a0cd","title_url":"https://workshop.closeclaw.top/ai/title/%E7%8E%B0%E4%BB%A3%E6%80%A7%E7%9A%84%E5%93%B2%E5%AD%A6%E8%AF%9D%E8%AF%AD","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/296fac69-2927-4952-8b17-011f7141a0cd/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/296fac69-2927-4952-8b17-011f7141a0cd/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/296fac69-2927-4952-8b17-011f7141a0cd","page_url":"https://workshop.closeclaw.top/api/ai/books/296fac69-2927-4952-8b17-011f7141a0cd/page","search_url":"https://workshop.closeclaw.top/api/ai/books/296fac69-2927-4952-8b17-011f7141a0cd/search"},"page":{"printed_page":103,"pdf_page":111,"physical_index":111,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"77b42733b741e757097958271ecf9a2bd0ea322e41dae304a6ce8bb7f5ef8cfd"},"chapter":"现代性的哲学话语","content":"神话是古代诗歌的核心，我们的诗歌恰恰缺少这样一个核心。现代诗艺之所以逊色于古代诗艺，一言以蔽之，关键就在于：我们没有神话。但是……我们正在着手创造神话。②\n\n顺便交代一下，上述两部作品都发表于1800年，它们从不同的角度继续在共同编织一种新的神话观念。\n\n此外，黑格尔最初的系统纲领中还包含这样的主导思想，即：伴随着新的神话，艺术将接替哲学，因为审美直观是“理性的最高行为”：“真和善只在美中协调一致”。③这句话或许可以看作是谢林《先验唯心论体系》一书的扉页题词。谢林在审美直观中解开了这样一个谜，即自我是如何认识自由和必然、精神和本质、意识活动和无意识活动在其自身产物中的同一性的：\n\n正因为如此，艺术对于哲学家来说就是最崇高的东西，因为艺术好像给哲学家打开了至圣所，在这里，在永恒的、本源的统一中，已经在自然和历史里分离的东西和必须在生命、行动与思维里回避的东西仿佛都燃烧成了一道火焰。④\n\n① 谢林：《作品集》(Werke),M. 施罗特编，第 2卷，第 629 页。\n\n② F. 施莱格尔：《校勘版作品集》，第2卷，第312页。\n\n③ 黑格尔：《全集》，第1卷，第235页。\n\n④ 谢林：《作品集》，第2卷，第628页。\n\n103","previous_page":102,"next_page":104}