{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"296fac69-2927-4952-8b17-011f7141a0cd","title":"现代性的哲学话语","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544715829","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"296fac69-2927-4952-8b17-011f7141a0cd","id":"296fac69-2927-4952-8b17-011f7141a0cd","uuid":"296fac69-2927-4952-8b17-011f7141a0cd","title":"现代性的哲学话语","normalized_title":"现代性的哲学话语","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544715829","isbns":["9787544715829"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":463,"navigation_url":"https://workshop.closeclaw.top/ai/book/296fac69-2927-4952-8b17-011f7141a0cd","title_url":"https://workshop.closeclaw.top/ai/title/%E7%8E%B0%E4%BB%A3%E6%80%A7%E7%9A%84%E5%93%B2%E5%AD%A6%E8%AF%9D%E8%AF%AD","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/296fac69-2927-4952-8b17-011f7141a0cd/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/296fac69-2927-4952-8b17-011f7141a0cd/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/296fac69-2927-4952-8b17-011f7141a0cd","page_url":"https://workshop.closeclaw.top/api/ai/books/296fac69-2927-4952-8b17-011f7141a0cd/page","search_url":"https://workshop.closeclaw.top/api/ai/books/296fac69-2927-4952-8b17-011f7141a0cd/search"},"page":{"printed_page":143,"pdf_page":151,"physical_index":151,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"4e93217c26d469b9159290e8ab6645bf273646bf62ba0627bfdb13c24a058a81"},"chapter":"现代性的哲学话语","content":"当然，在这些基本的价值判断背后，有可能隐藏着一种建筑术。正如我们在谢林那里所看到的，这种建筑术把理论理性和实践理性的同一性扎根到审美判断力当中。尼采要想把理性和权力彻底等同起来，就必须消除一切价值判断的认知意义，并证明在估价的肯定或否定立场中所表现出来的，只有纯粹的权力要求，而再也没有任何有效性要求。\n\n从语言分析角度来看，下一步论证的目的就在于把趣味判断和绝对命令等同起来，把估价与意志表达等同起来。尼采讨论了康德对趣味判断的分析②，目的是为了证明自己的观点：估价必然是主观的，而且不可能与主体间的有效性要求有关。非功利的愉悦，以及非个人特征的幻觉、普遍性的审美判断等，只有在旁观者的眼里才会出现。但从创造性的艺术家的角度来看，我们发现，价值评估是由价值创造引起的。生产美学展示出来的是创造价值的天才艺术家的体验：在他眼里，价值评估受到“价值创造”①的主宰。价值设定的创造性制定了估价的法则。因此，趣味判断所要求的有效性当中表达出来的，只是“审美激发起来的意志”。一种意志是对另一种意志的回应，而一种力量则是对另一种力量的控制。\n\n① 尼采：《全集》，第5卷，第15页。\n\n② 同上，第346页及下页。\n\n143","previous_page":142,"next_page":144}