{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"2be6ee64-e97a-4f2a-baef-effa0be35e2b","title":"规训与惩罚 监狱的诞生","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"2be6ee64-e97a-4f2a-baef-effa0be35e2b","id":"2be6ee64-e97a-4f2a-baef-effa0be35e2b","uuid":"2be6ee64-e97a-4f2a-baef-effa0be35e2b","title":"规训与惩罚 监狱的诞生","normalized_title":"规训与惩罚监狱的诞生","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":384,"navigation_url":"https://workshop.closeclaw.top/ai/book/2be6ee64-e97a-4f2a-baef-effa0be35e2b","title_url":"https://workshop.closeclaw.top/ai/title/%E8%A7%84%E8%AE%AD%E4%B8%8E%E6%83%A9%E7%BD%9A%20%E7%9B%91%E7%8B%B1%E7%9A%84%E8%AF%9E%E7%94%9F","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/2be6ee64-e97a-4f2a-baef-effa0be35e2b/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/2be6ee64-e97a-4f2a-baef-effa0be35e2b/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/2be6ee64-e97a-4f2a-baef-effa0be35e2b","page_url":"https://workshop.closeclaw.top/api/ai/books/2be6ee64-e97a-4f2a-baef-effa0be35e2b/page","search_url":"https://workshop.closeclaw.top/api/ai/books/2be6ee64-e97a-4f2a-baef-effa0be35e2b/search"},"page":{"printed_page":77,"pdf_page":82,"physical_index":82,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"8ff5fe99a8128de28d9809cad279706b947d88fc08b80bb8ae417043cab64c5e"},"chapter":"第二章 断头台的场面","content":"112).在英国，乔纳森·怀尔德(JonathanWild)、杰克·谢爱德(Jack Sheppard)与克劳德·杜瓦尔(Claude Duval) 也在某种程度上扮演着类似的角色。\n\n[6〕这个标题不仅在《特洛伊丛书》中可以看到，而H在《诺曼第丛书》中也有\n\n[7]譬如可参见拉克雷泰尔的论述：“为了满足对这种强烈刺激的需求.为了加深一个重要例子产生的印象，人们允许这些可怕的故事到处流传民间诗人吟咏这些故事，使之传遍人地的每一角落。总有一大每个家庭都会在门前听到用唱歌讲述的自己的女犯罪与被处决的故事”(Lacretelle，106)、\n\n第一部分·第二章 断头台的场面\n\n77","previous_page":null,"next_page":null}