{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"2d14d89a-8f9c-43cd-a731-6232c6f80477","title":"德勒兹与当代性：西方后结构主义思潮研究 麦永雄著 广西师范大学出版社 2007_11964266","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787563368785","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"2d14d89a-8f9c-43cd-a731-6232c6f80477","id":"2d14d89a-8f9c-43cd-a731-6232c6f80477","uuid":"2d14d89a-8f9c-43cd-a731-6232c6f80477","title":"德勒兹与当代性：西方后结构主义思潮研究 麦永雄著 广西师范大学出版社 2007_11964266","normalized_title":"德勒兹与当代性西方后结构主义思潮研究麦永雄著广西师范大学出版社200711964266","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787563368785","isbns":["9787563368785"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":296,"navigation_url":"https://workshop.closeclaw.top/ai/book/2d14d89a-8f9c-43cd-a731-6232c6f80477","title_url":"https://workshop.closeclaw.top/ai/title/%E5%BE%B7%E5%8B%92%E5%85%B9%E4%B8%8E%E5%BD%93%E4%BB%A3%E6%80%A7%EF%BC%9A%E8%A5%BF%E6%96%B9%E5%90%8E%E7%BB%93%E6%9E%84%E4%B8%BB%E4%B9%89%E6%80%9D%E6%BD%AE%E7%A0%94%E7%A9%B6%20%E9%BA%A6%E6%B0%B8%E9%9B%84%E8%91%97%20%E5%B9%BF%E8%A5%BF%E5%B8%88%E8%8C%83%E5%A4%A7%E5%AD%A6%E5%87%BA%E7%89%88%E7%A4%BE%202007_11964266","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/2d14d89a-8f9c-43cd-a731-6232c6f80477/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/2d14d89a-8f9c-43cd-a731-6232c6f80477/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/2d14d89a-8f9c-43cd-a731-6232c6f80477","page_url":"https://workshop.closeclaw.top/api/ai/books/2d14d89a-8f9c-43cd-a731-6232c6f80477/page","search_url":"https://workshop.closeclaw.top/api/ai/books/2d14d89a-8f9c-43cd-a731-6232c6f80477/search"},"page":{"printed_page":266,"pdf_page":274,"physical_index":274,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"5b5f7d79fe4827fcf741a152fbedfebf531fb1428d33237cd4bdeb0a613d2fef"},"chapter":"第十章","content":"后现代文学常常被界说为一种运动，人们认为它热衷于戏拟，长于引证既有的风格与形象而不言说和意指任何事物。鲍德里亚认为传媒文化把一切都缩减成为表面形象，没有真实作为坚实的参照，这是一种悲哀。与他相应，不少人都对这种拟像时代流露出悲叹的情绪。但是德勒兹的拟像概念既抵制这种怀旧之情，也否弃认为我们现在生活在一个只有形象而无真实的后现代世界中的观念。既往的理论模式大都视拟像为一种拷贝，从而预设了某种原本。而在德勒兹看来，拟像或形象就是真实，生活是而且永远是拟像—是一种生产、创造、生成与差异的力量。德勒兹打破真实与虚拟的壁垒，为拟像辩护，他的哲学与美学思想中强调事物的生成嬗变与潜在的未来维度，对于理解我们大家都面临的当代社会文化有着积极的启迪意义。\n\n勒兹与当代性—西方后结构主义思潮研究\n\n266\n\n① Claire Colebrook, Gilles Deleuze, p. 6, London:Routledge, 2002.","previous_page":265,"next_page":267}