{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","title":"艺术与诸众 论艺术的九封信","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568902106","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","id":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","uuid":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","title":"艺术与诸众 论艺术的九封信","normalized_title":"艺术与诸众论艺术的九封信","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568902106","isbns":["9787568902106"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":139,"navigation_url":"https://workshop.closeclaw.top/ai/book/2fd9baec-d4ba-40d3-827a-de528fdf9e27","title_url":"https://workshop.closeclaw.top/ai/title/%E8%89%BA%E6%9C%AF%E4%B8%8E%E8%AF%B8%E4%BC%97%20%E8%AE%BA%E8%89%BA%E6%9C%AF%E7%9A%84%E4%B9%9D%E5%B0%81%E4%BF%A1","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/2fd9baec-d4ba-40d3-827a-de528fdf9e27/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/2fd9baec-d4ba-40d3-827a-de528fdf9e27/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/2fd9baec-d4ba-40d3-827a-de528fdf9e27","page_url":"https://workshop.closeclaw.top/api/ai/books/2fd9baec-d4ba-40d3-827a-de528fdf9e27/page","search_url":"https://workshop.closeclaw.top/api/ai/books/2fd9baec-d4ba-40d3-827a-de528fdf9e27/search"},"page":{"printed_page":103,"pdf_page":123,"physical_index":123,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"1f8ab8e670f3102ade0e5452910d96b43dbff3017f9e7b53ef07f57babe3d5b6"},"chapter":"艺术与诸众","content":"那么，从艺术的角度看，这把我们带向了这段历史的悖论:艺术发展已把我们生存于其中的社会关系的抽象化变为了肉身化的形象；并且—在一个持续变形的过程中，通过运动的、流变的影像——它将重要性赋予了肉的生命力。从培根到沃霍尔或朴勇(ParkYong)，艺术家在一个稠密的空间内，想象一种朦胧的糊浆;并且，他毫无畏惧地考虑一个摆脱了其内在建筑的世界的视角。由此，艺术的发展，既在生命政治的方向上，也在非物质的方向上进行。通过纵身潜入一个能够生产生命形式的沸腾的、混沌的世界，重新构想社会交流并把握其变动形象的尝试得以完成。从集中的和拓展的角度看，今天的艺术悖论体现为这样的愿望:想要以别样的方式生产世界(身体，运动)——但又要从一个只承认现有世界的世界内部进行，并且，那个世界知道，有待建构的“外部”(dehors)只能是一个绝对内部的他者(l’autre d’un dedansabsolu)。\n\n附言|变形记:艺术与非物质劳动\n\n103","previous_page":102,"next_page":104}