{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","title":"艺术与诸众 论艺术的九封信","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568902106","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","id":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","uuid":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","title":"艺术与诸众 论艺术的九封信","normalized_title":"艺术与诸众论艺术的九封信","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568902106","isbns":["9787568902106"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":139,"navigation_url":"https://workshop.closeclaw.top/ai/book/2fd9baec-d4ba-40d3-827a-de528fdf9e27","title_url":"https://workshop.closeclaw.top/ai/title/%E8%89%BA%E6%9C%AF%E4%B8%8E%E8%AF%B8%E4%BC%97%20%E8%AE%BA%E8%89%BA%E6%9C%AF%E7%9A%84%E4%B9%9D%E5%B0%81%E4%BF%A1","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/2fd9baec-d4ba-40d3-827a-de528fdf9e27/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/2fd9baec-d4ba-40d3-827a-de528fdf9e27/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/2fd9baec-d4ba-40d3-827a-de528fdf9e27","page_url":"https://workshop.closeclaw.top/api/ai/books/2fd9baec-d4ba-40d3-827a-de528fdf9e27/page","search_url":"https://workshop.closeclaw.top/api/ai/books/2fd9baec-d4ba-40d3-827a-de528fdf9e27/search"},"page":{"printed_page":55,"pdf_page":75,"physical_index":75,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"095580ed8d13217e7464effeb07b3b9d39ecb6b12b62f61eafc8e7d7c5267f96"},"chapter":"艺术与诸众","content":"从这些思虑出发，如果我现在回到之前伟大文人说的话上，那么，他的机会主义和他几乎不加掩饰的粗俗就变得越发明显了。事实上，当他清算两个陈旧的偶像，新小说和介入艺术时，他也试图摧毁艺术无论如何必须践行的前卫功能。今天,这样的前卫(avant-garde)不是道德义务,不是美丽灵魂，不是任何意识形态的好斗精神，等等。不，新现实主义不如说是对一个绝望时代的见证一—它是一种朋克的、建构性的现实主义是富于表现的暴力，是交流技术之神秘化的颠覆。一本朋克杂志包含的现实比艾柯和奥森纳的全部小说加起来还要多。敌托邦一那些自认为再也不能从中获取滋养的人所化身的希望—是我们世界的光线。那转而反对我们、反对所有人的抽象经验的暴力，是产生一种净化(catharsis)的唯一可能性—但那是一种本身就被挫败了的净化。这是“获奖的当代小说”饱含希望的空洞寓言所无法消除的前卫。前卫没有在身后拖着时代，而是根本地构成了时代—它代表了我们已然给出的对美的定义，那定义成为了其自身之生产的有意识的发动机。\n\n论建构，致南尼\n\n55","previous_page":54,"next_page":56}