{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","title":"艺术与诸众 论艺术的九封信","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568902106","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","id":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","uuid":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","title":"艺术与诸众 论艺术的九封信","normalized_title":"艺术与诸众论艺术的九封信","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568902106","isbns":["9787568902106"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":139,"navigation_url":"https://workshop.closeclaw.top/ai/book/2fd9baec-d4ba-40d3-827a-de528fdf9e27","title_url":"https://workshop.closeclaw.top/ai/title/%E8%89%BA%E6%9C%AF%E4%B8%8E%E8%AF%B8%E4%BC%97%20%E8%AE%BA%E8%89%BA%E6%9C%AF%E7%9A%84%E4%B9%9D%E5%B0%81%E4%BF%A1","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/2fd9baec-d4ba-40d3-827a-de528fdf9e27/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/2fd9baec-d4ba-40d3-827a-de528fdf9e27/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/2fd9baec-d4ba-40d3-827a-de528fdf9e27","page_url":"https://workshop.closeclaw.top/api/ai/books/2fd9baec-d4ba-40d3-827a-de528fdf9e27/page","search_url":"https://workshop.closeclaw.top/api/ai/books/2fd9baec-d4ba-40d3-827a-de528fdf9e27/search"},"page":{"printed_page":78,"pdf_page":98,"physical_index":98,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"2d0b19d4498519d1134ed730a76863affedf1809123aacf2cae3b7d4eed4163c"},"chapter":"艺术与诸众","content":"所以，变形的身体是这样一个身体:它重新占有了工具并通过网络和流离，以假肢的形式，把工具变为己有。人的历史是一系列工具的建构，由此也是其丧失独一存在、毫无防备的悲惨生存的实践表达的历史。今天，工具—把人和自然相连的工具——正越来越多地由人自己所建构，在其行动中被吸收或被其行动所吸收。工具的历史，劳动的历史：在现代到后现代的过渡中，当劳动变得更加非物质的时候，工具也经历了一场变形，变得更加精神了。镰刀和锤子，铲子和钢笔，今后——越发地—还有文学和造型艺术(它们用来表达自身的种种工具)，都以独一个体所提升并纳入其自身之生存的那些工具为中介。所以，功能的抽象化从属于行动的独一性;更确切地说:从属于身体的十分确定的潜能。并且，正如我们已经说过的，从属于语言的潜能，它的外展性(expansivité)。\n\n78\n\n艺术与诸众:论艺术的九封信","previous_page":null,"next_page":null}