{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","title":"艺术与诸众 论艺术的九封信","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568902106","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","id":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","uuid":"2fd9baec-d4ba-40d3-827a-de528fdf9e27","title":"艺术与诸众 论艺术的九封信","normalized_title":"艺术与诸众论艺术的九封信","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787568902106","isbns":["9787568902106"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":139,"navigation_url":"https://workshop.closeclaw.top/ai/book/2fd9baec-d4ba-40d3-827a-de528fdf9e27","title_url":"https://workshop.closeclaw.top/ai/title/%E8%89%BA%E6%9C%AF%E4%B8%8E%E8%AF%B8%E4%BC%97%20%E8%AE%BA%E8%89%BA%E6%9C%AF%E7%9A%84%E4%B9%9D%E5%B0%81%E4%BF%A1","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/2fd9baec-d4ba-40d3-827a-de528fdf9e27/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/2fd9baec-d4ba-40d3-827a-de528fdf9e27/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/2fd9baec-d4ba-40d3-827a-de528fdf9e27","page_url":"https://workshop.closeclaw.top/api/ai/books/2fd9baec-d4ba-40d3-827a-de528fdf9e27/page","search_url":"https://workshop.closeclaw.top/api/ai/books/2fd9baec-d4ba-40d3-827a-de528fdf9e27/search"},"page":{"printed_page":99,"pdf_page":119,"physical_index":119,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"dcaa339bd9d2a3a22134b0b16baecf8bc04f7f77135691bec0ffa157998f141f"},"chapter":"艺术与诸众","content":"这把我们带到了十月革命。革命思想和颠覆行动像野火一样遍及整个世界。为了回应这一挑战，资本主义被迫对作为生产之基础的无产阶级强加进一步的大众化，(通过福利体系)给工人的消费确立新的准则，把抽象化的水平推至极限，并把一种“科学观”引入劳动的组织。恰恰在这一刻，“抽象形式”也在艺术生产中强行提出了自身。这样的抽象既是劳动抽象化的再现，同时——从工人的角度看——也悖谬的是一种另类想象力的材料。的确，社会主义如果不是劳动抽象化的自动组织的计划，又能是什么呢?\n\n在1917—1929年，从占领冬宫到大萧条，那逐渐占据艺术生产之核心的抽象化是“表现主义的”，也就是说，它英勇地体现为剥削的种种真实的、现时的规定。换言之，它强烈地期待劳作的抽象化——它吸收、占有那样的抽象化，并把它推向极致，为的是颠覆它。所以，抽象化穿越了具象艺术，摧毁它又重建了它，而艺术生产体验了一种真正的革命激情，也就是，对一种在史诗的激荡中得以表达的建构性美学的渴望。\n\n附 言|变形记:艺术与非物质劳动\n\n99","previous_page":98,"next_page":100}