{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"351c895b-b657-4a7e-b455-777b70961fc0","title":"贺麟全集 精神现象学(下)","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208116030","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"351c895b-b657-4a7e-b455-777b70961fc0","id":"351c895b-b657-4a7e-b455-777b70961fc0","uuid":"351c895b-b657-4a7e-b455-777b70961fc0","title":"贺麟全集 精神现象学(下)","normalized_title":"贺麟全集精神现象学下","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208116030","isbns":["9787208116030"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":309,"navigation_url":"https://workshop.closeclaw.top/ai/book/351c895b-b657-4a7e-b455-777b70961fc0","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B4%BA%E9%BA%9F%E5%85%A8%E9%9B%86%20%E7%B2%BE%E7%A5%9E%E7%8E%B0%E8%B1%A1%E5%AD%A6(%E4%B8%8B)","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/351c895b-b657-4a7e-b455-777b70961fc0/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/351c895b-b657-4a7e-b455-777b70961fc0/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/351c895b-b657-4a7e-b455-777b70961fc0","page_url":"https://workshop.closeclaw.top/api/ai/books/351c895b-b657-4a7e-b455-777b70961fc0/page","search_url":"https://workshop.closeclaw.top/api/ai/books/351c895b-b657-4a7e-b455-777b70961fc0/search"},"page":{"printed_page":230,"pdf_page":237,"physical_index":237,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"1caafeec6f1dadd6e1e57b033a8f01dde4f69ca4b20f48ddef53670584ed723f"},"chapter":"第七章 宗教","content":"〔2.神的抽象个体性之无本质性]\n\n理性的思维取消了神圣本质的偶然形态，与合唱队的无概念性的智慧（这种智慧提出了各式各样的伦理格言，并且认为一大堆道德规则、特定义务和正义概念有权威性）相反，它把这些东西提高为美和善的简单理念。这个抽象的〔思维〕运动就是对包含在这些格言和规则内的辩证法意识，从而也就是对这些格言和规则以前所具有的绝对权威性的消失的明白意识。由于表象赋予那些神圣本质性的偶然的规定性和肤浅的个体性消失了，这些神圣本质性就它们的自然一面看来便只剩下它们赤裸裸的直接存在了，于是它们就成为“云”[2]，一种消逝着的烟雾，就象它们的那些表象一样。按照它们的被思维所规定的本质性，它们就成为美和善的简单思想，于是这些关于美、善抽象的简单思想，人们就可以用任何内容去填补。辩证知识的力量使得行为的特定格言和规则成为情欲和为情欲所引入迷途的青年的轻浮性格所任意歪曲利用，而且对于由日常琐屑生活的束缚而感到苦闷和烦恼的老年人来说，这无异于把欺骗的武器放在他们手里。美和美的纯思想因而表现出一出滑稽的戏剧：由于它们从意见中解放出来了—这意见既包含着它们在内容上的规定性，也包含着它们的绝对规定性，意识〔对它们]的坚执—它们就成为空虚的东西，而且正因为这样，它们就变成偶然的个人意见和任性的玩物。\n\n精神现象学（下卷）\n\n[1]参看阿里斯多芬的喜剧《骑士》对当时雅典民主派领袖、典型政治煽动家克勒翁能言善辩、欺骗人民种种行径的讥刺。—译者注\n\n[2]“云”（Wolken)，参看阿里斯多芬的喜剧《云》，此剧用夸张手法嘲笑苏格拉底，借以反对当时社会上利用诡辩和雄辩以取得政治权力和诉讼胜利的风气，并借用苏格拉底的口来破除传统宗教对神灵的迷信。黑格尔这里的意思是说，喜剧标志着个人意识的提高，伦理格言、神灵信仰的烟消云散，向天启宗教过渡。——译者注\n\n230","previous_page":229,"next_page":231}