{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"351c895b-b657-4a7e-b455-777b70961fc0","title":"贺麟全集 精神现象学(下)","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208116030","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"351c895b-b657-4a7e-b455-777b70961fc0","id":"351c895b-b657-4a7e-b455-777b70961fc0","uuid":"351c895b-b657-4a7e-b455-777b70961fc0","title":"贺麟全集 精神现象学(下)","normalized_title":"贺麟全集精神现象学下","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208116030","isbns":["9787208116030"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":309,"navigation_url":"https://workshop.closeclaw.top/ai/book/351c895b-b657-4a7e-b455-777b70961fc0","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B4%BA%E9%BA%9F%E5%85%A8%E9%9B%86%20%E7%B2%BE%E7%A5%9E%E7%8E%B0%E8%B1%A1%E5%AD%A6(%E4%B8%8B)","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/351c895b-b657-4a7e-b455-777b70961fc0/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/351c895b-b657-4a7e-b455-777b70961fc0/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/351c895b-b657-4a7e-b455-777b70961fc0","page_url":"https://workshop.closeclaw.top/api/ai/books/351c895b-b657-4a7e-b455-777b70961fc0/page","search_url":"https://workshop.closeclaw.top/api/ai/books/351c895b-b657-4a7e-b455-777b70961fc0/search"},"page":{"printed_page":231,"pdf_page":238,"physical_index":238,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"ef072bca873ac0faa51b92fff636d1c89a9bb35e092a8a4cb2ada63fd30c5bc0"},"chapter":"第七章 宗教","content":"〔3.确知自己即绝对本质的个别自我]\n\n于是前此没有意识的、持存于单纯的静止和忘记之中的、与自我意识分离的命运，在这里就和自我意识相结合了。个别的自我〔在喜剧里乃是一种否定的力量，由于这种力量并且在这种力量支配之下，诸神灵以及它们的各环节—特定存在着的自然和关于自然的诸规定的思想都消失了；同时个别的自我并不是消失为空无，而是保持其自身于这种空无之中，坚持自身并且是唯一的现实性。艺术的宗教在个别的自我里完成其自身并且完善地返回到自身。由于具有自身确信的个别意识就是这种绝对力量，因而这绝对力量便失掉其为一个与一般意识相分离、相疏远的想象的东西的形式了—就象雕像那样，也象有生命的美的形体或者象史诗的内容和悲剧中的诸较高力量与人物那样。再则，这里所达到的统一也不是崇拜和神秘仪式中不自觉的统一，而是戏剧演员本人和他所扮演的人物之融合为一，正如观众对表演给他们观赏的人物，感觉非常熟悉，就象看到他们自己在表演一样。这个自我意识所观看到的就是那原来采取本质性的形式与自我意识处于反对地位的东西，现在在他的思想、存在和行动里，却被消融了，并可以受他支配了；这是一切普遍的东西之返回到自身确信，有了这种自身确信，一切异己的东西就完全不显得可怕并失掉其独立存在，而且这种确信也是意识的一种健康状态和自安于这种健康状态，这是在喜剧以外没有别的地方可以找到的。\n\n第七章 宗教\n\n231","previous_page":230,"next_page":232}