{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"3dbdb0de-b140-4663-a78e-429e74d8b488","title":"超文化：文化与全球化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521748666","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"3dbdb0de-b140-4663-a78e-429e74d8b488","id":"3dbdb0de-b140-4663-a78e-429e74d8b488","uuid":"3dbdb0de-b140-4663-a78e-429e74d8b488","title":"超文化：文化与全球化","normalized_title":"超文化文化与全球化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521748666","isbns":["9787521748666"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":112,"navigation_url":"https://workshop.closeclaw.top/ai/book/3dbdb0de-b140-4663-a78e-429e74d8b488","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B6%85%E6%96%87%E5%8C%96%EF%BC%9A%E6%96%87%E5%8C%96%E4%B8%8E%E5%85%A8%E7%90%83%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/3dbdb0de-b140-4663-a78e-429e74d8b488/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/3dbdb0de-b140-4663-a78e-429e74d8b488/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/3dbdb0de-b140-4663-a78e-429e74d8b488","page_url":"https://workshop.closeclaw.top/api/ai/books/3dbdb0de-b140-4663-a78e-429e74d8b488/page","search_url":"https://workshop.closeclaw.top/api/ai/books/3dbdb0de-b140-4663-a78e-429e74d8b488/search"},"page":{"printed_page":26,"pdf_page":31,"physical_index":31,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"4df984ecb11e214e40c91264fa290470fc244cff208c337388be8cb68347d828"},"chapter":"Hyperkulturalität","content":"然而，海德格尔的桥或边界的形象，并不适合用来阐明文化或世界的杂交性。海德格尔认为，此与彼、内与外、我与他均处于一种辩证的、交互的对立之中。定义海德格尔世界的严格对称性，消除了产生不对称构成物的杂交性。对海德格尔来说，辩证法没有中间状态，即不存在“和解”形式的辩证法，无法接受交叉和混杂。各种声音相互渗透、相互混合、相互叠加的纷纭杂乱对海德格尔来说是陌生的。海德格尔的桥因其“辩证的弧度”而过于狭窄，它不是事物可以抛却辩证而彼此相遇、相互反映和混合的宽阔的十字路口、广场，更不是马戏团。[31]霍米·巴巴提到的楼梯间+很狭窄，因为它所允许的“来来往往”只是“上上下下”而已。\n\n26\n\n超文化","previous_page":25,"next_page":27}