{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"3dbdb0de-b140-4663-a78e-429e74d8b488","title":"超文化：文化与全球化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521748666","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"3dbdb0de-b140-4663-a78e-429e74d8b488","id":"3dbdb0de-b140-4663-a78e-429e74d8b488","uuid":"3dbdb0de-b140-4663-a78e-429e74d8b488","title":"超文化：文化与全球化","normalized_title":"超文化文化与全球化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521748666","isbns":["9787521748666"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":112,"navigation_url":"https://workshop.closeclaw.top/ai/book/3dbdb0de-b140-4663-a78e-429e74d8b488","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B6%85%E6%96%87%E5%8C%96%EF%BC%9A%E6%96%87%E5%8C%96%E4%B8%8E%E5%85%A8%E7%90%83%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/3dbdb0de-b140-4663-a78e-429e74d8b488/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/3dbdb0de-b140-4663-a78e-429e74d8b488/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/3dbdb0de-b140-4663-a78e-429e74d8b488","page_url":"https://workshop.closeclaw.top/api/ai/books/3dbdb0de-b140-4663-a78e-429e74d8b488/page","search_url":"https://workshop.closeclaw.top/api/ai/books/3dbdb0de-b140-4663-a78e-429e74d8b488/search"},"page":{"printed_page":39,"pdf_page":42,"physical_index":42,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"67136dbaea2e2be21381358a90bd56ee9232210af0a4aad088501624c91080e9"},"chapter":"Hyperkulturalität","content":"比照的时代不仅仅在不同文化形式的并存中形成，它是一个以价值位阶为导向的筛选时代。较低德行要因较高德行而消亡，在此过程中起决定性作用的只有美感。然而，如何区分低级和高级的形式值得商榷，比如在艺术风格方面。尼采的审美主义（Ästhetizismus)倾向于对文化进行再目的论化、再神学化。\n\n全球化时代真的会是一个将因为更强大、更高级的形式而消亡的比照时代吗？抑或它依旧是一个奉行亦此亦彼、不由筛选经济而由“与的逻辑”主导的多样性时代？假若未来会有更高的道德，它不会以“与”的友善性为基础吗？\n\n比照的时代\n\n39","previous_page":38,"next_page":null}