{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"3dbdb0de-b140-4663-a78e-429e74d8b488","title":"超文化：文化与全球化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521748666","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"3dbdb0de-b140-4663-a78e-429e74d8b488","id":"3dbdb0de-b140-4663-a78e-429e74d8b488","uuid":"3dbdb0de-b140-4663-a78e-429e74d8b488","title":"超文化：文化与全球化","normalized_title":"超文化文化与全球化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521748666","isbns":["9787521748666"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":112,"navigation_url":"https://workshop.closeclaw.top/ai/book/3dbdb0de-b140-4663-a78e-429e74d8b488","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B6%85%E6%96%87%E5%8C%96%EF%BC%9A%E6%96%87%E5%8C%96%E4%B8%8E%E5%85%A8%E7%90%83%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/3dbdb0de-b140-4663-a78e-429e74d8b488/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/3dbdb0de-b140-4663-a78e-429e74d8b488/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/3dbdb0de-b140-4663-a78e-429e74d8b488","page_url":"https://workshop.closeclaw.top/api/ai/books/3dbdb0de-b140-4663-a78e-429e74d8b488/page","search_url":"https://workshop.closeclaw.top/api/ai/books/3dbdb0de-b140-4663-a78e-429e74d8b488/search"},"page":{"printed_page":41,"pdf_page":87,"physical_index":87,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"92d22722f07e77616fdd706e976de441ccd9ca274f992de6da44d368b8828224"},"chapter":"Hyperkulturalität","content":"门槛\n\nSchwelle\n\n门槛里的锁眼儿。\n\n——彼得·汉德克\n\n海德格尔的世界很大程度上还是方言(dialektal)的世界。对他来说，超文化完全是文化的终结。[9]他一次又一次地哀叹家园的消失。他还让媒介对家园的消失，进而最终对世界的消失负责，是媒介把人变成了旅行者：“留在家乡的人又身处何种境地呢？很多情况下，他们要比被逐出家乡的人更加无处为家。他们时时刻刻都被拴在收音机和电视机旁。一周接着一周，电影将他们带入不同寻常但却往往让人习以为常的想象区(Vorstellungsbezirke)中，那里不是世界，却被伪装成世界。”[99]媒介伪装成，准确地说，模拟出一个“不是世界”的世界。是什么让世界成为世界？倘若不在表象中，又在哪里可以找到世界？是否有一种存在领域，会比那个“习以为常”的想象区更源始、更像世界的世界呢？海德格尔构想出“在一世界一之中一存在”，可能是受到了表象和图像世界的启发。海德格尔也用实事性来表示表象里的“在之中”（In-Sein）。媒介图像显然与这个源始的“在一世界一之中一存在”不相符。从这一角度看，海德格尔认为媒介的危险性在于它们也去除了世界的实事性。换言之，媒介摧毁了世界的世界性，摧毁了处于图像和信息中的“在世存在”。\n\n41","previous_page":null,"next_page":42}