{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"49cc214a-3654-479f-be70-75b4f7ae7556","title":"技术垄断：文化向技术投降","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521700497","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"49cc214a-3654-479f-be70-75b4f7ae7556","id":"49cc214a-3654-479f-be70-75b4f7ae7556","uuid":"49cc214a-3654-479f-be70-75b4f7ae7556","title":"技术垄断：文化向技术投降","normalized_title":"技术垄断文化向技术投降","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521700497","isbns":["9787521700497"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":309,"navigation_url":"https://workshop.closeclaw.top/ai/book/49cc214a-3654-479f-be70-75b4f7ae7556","title_url":"https://workshop.closeclaw.top/ai/title/%E6%8A%80%E6%9C%AF%E5%9E%84%E6%96%AD%EF%BC%9A%E6%96%87%E5%8C%96%E5%90%91%E6%8A%80%E6%9C%AF%E6%8A%95%E9%99%8D","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/49cc214a-3654-479f-be70-75b4f7ae7556/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/49cc214a-3654-479f-be70-75b4f7ae7556/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/49cc214a-3654-479f-be70-75b4f7ae7556","page_url":"https://workshop.closeclaw.top/api/ai/books/49cc214a-3654-479f-be70-75b4f7ae7556/page","search_url":"https://workshop.closeclaw.top/api/ai/books/49cc214a-3654-479f-be70-75b4f7ae7556/search"},"page":{"printed_page":"xV","pdf_page":9,"physical_index":9,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"93e7f26a976623dcbb5625f592bf052d99839304ac6c8a6622d71802fa811d69"},"chapter":"TECHNOPOLY The Surrender of Culture to Technology Neil Postman","content":"30年来，托夫勒的《第三次浪潮》、奈斯比特的《中国大趋势》、贝尔的《后工业时代的来临》，以及近年托马斯·弗里德曼的《世界是平的》在中国可谓洛阳纸贵。因为他们鼓吹在电子技术上我们和发达国家“站在同一起跑线上”“世界是平的”，很有安抚作用！\n\n迄今为止，没有一位学者公开批评过波斯曼主张“技术决定论”，也没有一位学者旗帜鲜明地肯定他不是“技术决定论者”，然而，不少学者暗暗把媒介环境学派的大多数学者都想象为“技术决定论者”。\n\n麦克卢汉和波斯曼在中国都很红。麦克卢汉倾向于肯定电视和计算机的正面效应，波斯曼则警惕其负面效应。麦克卢汉憧憬和预言互联网时代，是21世纪的朋友；波斯曼则痛批“娱乐至死”的电视文化和大众文化，是21世纪的诤友。\n\n在中国社会经济技术文化变革超乎寻常、日新月异的语境下，中国人亟需他们两人互补的盛世危言！\n\n三、中国学者如何欣赏他特别犀利的洞见\n\n波斯曼的“媒介批评三部曲”《童年的消逝》《娱乐致死》和《技术垄断》，大体上反映了他媒介理论和社会批评的思想轨迹和不懈追求，他的批判越来越犀利。《童年的消逝》叹息电视戕害儿童，抹杀成人和儿童的界限。《娱乐至死》控诉电视对读写能力的戕害。《技术垄断》断言：“技术垄断就是极权主义的技术统治”，“技术垄断是文化的“艾滋病””。他死死盯着技术加害于人的可能性，仿佛在说：人们，你们要警惕啊！\n\n中译者第二版序\n\nxV","previous_page":8,"next_page":10}