{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"49cc214a-3654-479f-be70-75b4f7ae7556","title":"技术垄断：文化向技术投降","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521700497","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"49cc214a-3654-479f-be70-75b4f7ae7556","id":"49cc214a-3654-479f-be70-75b4f7ae7556","uuid":"49cc214a-3654-479f-be70-75b4f7ae7556","title":"技术垄断：文化向技术投降","normalized_title":"技术垄断文化向技术投降","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787521700497","isbns":["9787521700497"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":309,"navigation_url":"https://workshop.closeclaw.top/ai/book/49cc214a-3654-479f-be70-75b4f7ae7556","title_url":"https://workshop.closeclaw.top/ai/title/%E6%8A%80%E6%9C%AF%E5%9E%84%E6%96%AD%EF%BC%9A%E6%96%87%E5%8C%96%E5%90%91%E6%8A%80%E6%9C%AF%E6%8A%95%E9%99%8D","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/49cc214a-3654-479f-be70-75b4f7ae7556/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/49cc214a-3654-479f-be70-75b4f7ae7556/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/49cc214a-3654-479f-be70-75b4f7ae7556","page_url":"https://workshop.closeclaw.top/api/ai/books/49cc214a-3654-479f-be70-75b4f7ae7556/page","search_url":"https://workshop.closeclaw.top/api/ai/books/49cc214a-3654-479f-be70-75b4f7ae7556/search"},"page":{"printed_page":"xviii","pdf_page":12,"physical_index":12,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"55c0ca98720bc70405730f6ca86bf24895a99a010bad664ae06da85f2816649a"},"chapter":"TECHNOPOLY The Surrender of Culture to Technology Neil Postman","content":"北京师范大学文学院教授蒋原伦写道：几年前读《娱乐至死》时，就“预感会有《技术垄断》这样的批判力作面世”。他指出：“《技术垄断》中最值得关注的是作者对所谓的“社会科学’的批判，许多人文学科和社会研究被冠之社会科学的名头，而假借科学的名义所进行的一切就不可以受质疑。中国的学人尤其要对此进行反思。波斯曼将以上现象称之为唯科学主义’。”(《技术垄断：当代人的文化困境》，载《中华读书报》，2008-11-03)\n\n四、为何说波斯曼高扬人文主义的旗帜\n\n以麦克卢汉和波斯曼为代表的媒介环境学派的媒介理论，强调技术对社会、文化和心理的重大影响和长效影响，因而被扣上“技术决定论”的帽子。\n\n波斯曼把人类技术发展分为“工具使用文化”“技术统治文化”“技术垄断文化”三个阶段，非常冷静，非常理性。他猛攻的仅仅是冲击“印刷文化”的“娱乐至死”文化，绝不笼统强调技术对文化的绝对作用，而是高扬人文精神、人文关怀和社会批判，坚决反对文化向技术投降。\n\n《童年的消逝》叹息电视文化抹杀成人和儿童的界限，《娱乐至死》控诉电视对读写能力的戕害，《技术垄断》高呼“狼来了”，揭示唯科学主义和信息失控的现实危险，指控技术垄断对美国文化和人类文化的危害。你能说他主张“技术决定论”吗？\n\nxviii\n\n技术垄断：文化向技术投降","previous_page":11,"next_page":13}