{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4b0a32eb-418f-4a55-806b-5611337160b2","title":"Capitalist Realism - Is There no Alternative","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9781846943171","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4b0a32eb-418f-4a55-806b-5611337160b2","id":"4b0a32eb-418f-4a55-806b-5611337160b2","uuid":"4b0a32eb-418f-4a55-806b-5611337160b2","title":"Capitalist Realism - Is There no Alternative","normalized_title":"capitalistrealismistherenoalternative","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9781846943171","isbns":["9781846943171"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":88,"navigation_url":"https://workshop.closeclaw.top/ai/book/4b0a32eb-418f-4a55-806b-5611337160b2","title_url":"https://workshop.closeclaw.top/ai/title/Capitalist%20Realism%20-%20Is%20There%20no%20Alternative","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4b0a32eb-418f-4a55-806b-5611337160b2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4b0a32eb-418f-4a55-806b-5611337160b2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4b0a32eb-418f-4a55-806b-5611337160b2","page_url":"https://workshop.closeclaw.top/api/ai/books/4b0a32eb-418f-4a55-806b-5611337160b2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4b0a32eb-418f-4a55-806b-5611337160b2/search"},"page":{"printed_page":25,"pdf_page":30,"physical_index":30,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"fb2499d795c43927b496f24d4e99021dcd2b7316e1c15f8aaccb98f1e39fc245"},"chapter":"MARK FISHER CAPITALIST REALISM IS THERE NO ALTERNATIVE?","content":"'suggestive aesthetic model' for understanding the fragmenting of subjectivity in the face of the emerging entertainment-industrial complex. 'With the breakdown of the signifying chain', Jameson summarized, 'the Lacanian schizophrenic is reduced to an experience of pure material signifiers, or, in other words, a series of pure and unrelated presents in time'. Jameson was writing in the late 1980s – i.e. the period in which most of my students were born. What we in the classroom are now facing is a generation born into that ahistorical, anti-mnemonic blip culture – a generation, that is to say, for whom time has always come ready-cut into digital micro-slices.\n\nIf the figure of discipline was the worker-prisoner, the figure of control is the debtor-addict. Cyberspatial capital operates by addicting its users; William Gibson recognized that in Neuromancer when he had Case and the other cyberspace cowboys feeling insects-under-the-skin strung out when they unplugged from the matrix (Case's amphetamine habit is plainly the substitute for an addiction to a far more abstract speed). If, then, something like attention deficit hyperactivity disorder is a pathology, it is a pathology of late capitalism – a consequence of being wired into the entertainment-control circuits of hypermediated consumer culture. Similarly, what is called dyslexia may in many cases amount to a post-lexia. Teenagers process capital's image-dense data very effectively without any need to read - slogan-recognition is sufficient to navigate the net-mobilemagazine informational plane. 'Writing has never been capitalism's thing. Capitalism is profoundly illiterate', Deleuze and Guattari argued in Anti-Oedipus. 'Electric language does not go by way of the voice or writing: data processing does without them both'. Hence the reason that many successful business people are dyslexic (but is their post-lexical efficiency a cause or effect of their success?)\n\nTeachers are now put under intolerable pressure to mediate between the post-literate subjectivity of the late capitalist\n\nReflexive impotence\n\n25","previous_page":null,"next_page":null}