{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":100,"pdf_page":131,"physical_index":131,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"daa6caac9e38cfcdd7f70b78ebffd43e4722b719c1163facae998c89ad3a096f"},"chapter":"第二章 空间","content":"生成无法以非生成的方式谈论，就像正义的概念里不能有任何非正义的成份，因此如何排除那些“不生成”或必须停止生成才能思考之物，构成生成问题的起点。然而，一直变动之物如何变动地思考其变动?如何能思考正不断变动中的万花筒颜色?如何观看飞驰而过的一列高铁车厢，它最小的细节，窗户里某个乘客脸上的皱纹走向?或者花瓶里一朵百合花绽放的所有细节，它正以分子速度改变的花朵形状?\n\n这便是德勒兹与加塔利在《千高原》第十章“生成一强度、生成一动物、生成一不可知觉”的书写赌注。对德勒兹而言，生成涉及创造的根本形式，一件作品的创造性就在于我们仍不认识与不可感知的部分，这是何以从生成一动物(devenir-animal)开始，德勒兹以许多篇幅谈知觉与情感，这二者都攸关着强度与威力的改变量，这正是面对生成首先获得之物。《千高原》第十章结束在对绘画与音乐的思考上，换言之，生成是一个确切关于艺术的问题，但对于德勒兹而言，要谈论艺术似乎不绕经生成一动物就无法开始。这是一整个关于如何思考强度变化的思想旅程，先由生成一动物开始，思考文学中的生成一狗或生成一鲸鱼会造成多大的强度增减？而这个增减又如何以不可知觉的方式、以分子层级的变化积累直到最后的爆发?\n\n分裂分析德勒兹\n\n100","previous_page":99,"next_page":101}