{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":103,"pdf_page":134,"physical_index":134,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"840f931a4bf6744f44d4249e77dfaddcb683135c4ff2523542b42feb90ee8cfd"},"chapter":"第二章 空间","content":"情感是指涉变化的概念也表现变化中的身体，这意味情感不只指向正在差异化的身体(正变得更大或更小、更强或更弱)，而且我们仅由差异量来定义身体，对身体的认识就是对它差异量的认识。以情感来思考身体意味身体仅因改变而被认识，同时也意味身体必须以差异来定义，因为每个身体都正只因正在增长或消减的行动力而被认识，都以特属于它自身的动静快慢而改变着它的性质。我认识一具身体，只因为这具身体有特属于它的动静快慢变化(有它的情感)，因此跟其他身体(拥有其他的动静快慢变化）区别开来。透过情感这个概念，身体成为差异的保证。或者进一步说，我有一具差异于他人的身体，因为我有独特的动静快慢改变，而且情感就是这个独特改变的表现。[1]关于艺术作品的问题从此可以翻转过来思考：使这些“身体”(可以是一幅画、一件雕塑或装置，但只要是行动力的改变，亦不妨是一种政治体制、文学作品或任何东西)可被思考与认识的情感是什么？这些身体，当它们可以被斯宾诺莎式思考时表现何种“由一状态到另一状态的行动力或存在力”？什么是这种用来说明身体行动力或存在力的情感极致?意思是，由一状态到另一状态的差异可以到何种程度，以致于我们可以设想出由情感所定义的最特异身体？\n\n第二章 空间\n\n[1] PL, 132.\n\n103","previous_page":102,"next_page":104}