{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":121,"pdf_page":152,"physical_index":152,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"eafe74aa5a5fcf1a457b9edcca4e5e43db650fa87af325e0c65c3e1abbff32d6"},"chapter":"第二章 空间","content":"狗、白鲸、马、小鸟、老鼠、虫，然后是更重口味的狼人与吸血鬼，这些动物或怪物是用来说明生成的个案，它们都明确地来自文学史的重要作品(只有鸟是来自梅西安的音乐作品《鸟志》)，狗是Slepian，白鲸是梅尔维尔，马是D.H.劳伦斯或弗洛伊德的个案“小汉斯”，虫是卡夫卡，吸血鬼是爱尔兰作家史托克(BramStoker)1897年出版《德古拉》(Dracula)……，换言之，生成没有抽象与一般的概念，涉及的一律是具体的个案研究，因为生成虽然指向一个“全面变化”的世界，但却没有任何生成是一般化的，每个生成都展现特异的运动，都有独特的动静快慢关系与强度消长，这是为什么《千高原》谈生成的这一章里都是对各种生成的回忆，每一个都是独特与唯一的，无法用结构主义或荣格的原型(archétype)来从事形式或结构研究。因此欲了解德勒兹的生成问题，首先必须阅读卡夫卡的《变形记》、梅尔维尔的《白鲸》或D.H.劳伦斯的《查泰莱夫人的情人》，亲自经验生成的文学经验，而这是德勒兹用来思考一切生成的主要依据之一(另一个是音乐)。\n\n第二章 空间\n\n121","previous_page":120,"next_page":122}