{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":142,"pdf_page":173,"physical_index":173,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"86d12ed986ab8248f6196ab59ced00f3dd6b5c0c88a9fb73930b1bb523b95705"},"chapter":"第二章 空间","content":"字根所变形却不同意义的词：\n\n1. figuratif,“具象”是被再现于影像中的一切事物，比如影像中的一只狗、一个老头或一棵树……，这些再现物都非常具体与肉身化，它们的相互关系亦是具象的，包括影像中的叙事(narration)或阐明(illustratif)，前者述说着影像中的故事，后者是影像中事物与事物间的对应关系，比如榕树这个词指向榕树的图形。在再现体制里观看一幅作品就是在观看作品中各种漂亮、有趣或逼真的具象：基督正被钉上十字架，林布兰特正拿着调色盘从画里专注盯着我们，暴风雨中狂乱的大海等等。具象离不开再现的观念，是对于事物或想法的类比、复制或拟仿。德勒兹写道：\n\n具象（再现）事实上意味着影像与它所被认为阐明的客体间的关系；然而它也意味着在精确给予每一影像其客体的复合集合中，影像与其他影像的关系。叙事关联到阐明。[1]\n\n具象的第一个意思是影像与其假设客体的再现关系，第二个意思则是这些影像之间所假设的叙事性，换言之，它们在讲故事。但不论第一或第二，影像都与“阐明”有关，都要让事物更清楚明白，这似乎便是再现最重要的功能之一。因此当我们使用再现这个词时便预设影像内建了这两种关系，或者当影像以这两种关系构成或说明时便是一个再现影像。这两种关系是：1.影像与它所阐明客体的关系（树的影像一树）；2.影像与影像的叙事关系（影像的故事性)。不管1或2，影像在这种状态下都是为了阐明与清楚等知识论目的服务。\n\n分裂分析德勒兹\n\n[1]FB, 10.\n\n142","previous_page":141,"next_page":143}