{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":152,"pdf_page":183,"physical_index":183,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"2fd1c0583c372ef0c090c5fd72895ee86ad5d4e8fdb4d4fcdb12361da9f70f72"},"chapter":"第二章 空间","content":"图表既意味着摧毁同时亦是萌芽，既是暴烈混沌又是可感的开启。这是由具象到大写形象最重要的的一个中间状态，一个虫洞。从这里开始“绘画的崭新秩序”，而且德勒兹多次强调，这是在不同画家身上不断“重新开始的经验”[1]，换言之，一切再现的可见秩序已经终止，而非具象与不可见力量的罗辑即将开启。如果具象与再现使得视觉经验停留在既有的光线体制中并固着于各种陈套，那么图表的出现(混沌与灾难的局部爆发)意味着生成与差异的重新引进。这是何以德勒兹说图表的功能是“引人事实的(复数)可能性”[2]。图表意味着既有建制的解域化，是混沌的重新在场与既有秩序的归零。\n\n3. 脱序的手工威力\n\n德勒兹在许多地方以不同概念描述了这种“混沌在场”的状态：在《普鲁斯特与符号》(1964)中，这是马德莲蛋糕与椴花茶碰触口腔味蕾的时刻，造成小说叙述者的混乱；在《时间—影像》中，这是“感觉一动力连结”被战后导演中断，因此造成运动一影像脱轨的危机与混乱。即使在谈福柯的书中(1986)，德勒兹亦明确指出：“总是在危机中福柯发现一个崭新的面向，一道崭新的线。”[1]似乎要谈创造，首先便得指向“域外”，一个差异于既有秩序与现存事物的“崭新面向”，这便是图表在场的意义，它是使一切秩序归零的“脱序的手工威力”[2]。\n\n分裂分析德勒兹\n\n[1] “une sorte d'expérience toujours recommence\", FB, 67.\n\n[2] “possibilités de fait\", FB, 66.\n\n152","previous_page":151,"next_page":153}