{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":178,"pdf_page":209,"physical_index":209,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"c27eb2e9cb2dc5c847768a0ad9b11b715f1b03ac2ce44bcff48352cb37400880"},"chapter":"第二章 空间","content":"6.无载体的折曲\n\n巴洛克的第一个条件是以极值律法说明的折曲，第二个条件是无限，表面上这与第一个条件悖反，因为极值意味着界限与由界限所划定的有限存在。但巴洛克却离不开无限，它是“只伴随无限出现”且“直到无限的折曲”。第一个条件由界限的辩证与操作所说明，第二个条件涉及的却是无限，是第一个条件的推至无穷，亦是两种界限间的不可能交会之永恒回归，而且，巴洛克仅因此诞生，诞生在这种all-over(满布)与精神分裂的状态中。德勒兹以埃尔·格列柯(E1Greco)的《橄榄园里的基督》(Christ au jardindesOliviers,1610)中人物、衣物、光影所强烈表现的折曲说明这些折曲“似乎已经脱离它们的载体、组织、花岗岩与云雾，以便进入无限的竞赛之中”。[1]透过极值律法的无限操作，巴洛克最终指向了“无载体的折曲”，有无限的折曲却无任何“被折曲物”，或者不如说，因为基于折曲所掀起的“无限竞赛”使得折曲以外的事物似乎都已被排除，空间成为纯粹状态下的折曲“堵塞”。永远要比最多的折曲更多，永远是折曲还不够多与还少一个以便逼近无限，这是为什么德勒兹说“巴洛克发明无限的作品或操作”。[2]巴洛克透过“发明”无限的作品以便自我发明，它就是海量的折曲操作，但必须小心别把折曲与折曲物、折曲的载体（花岗岩、衣料、光线……）搞混了。巴洛克的作品恐怕绝对不适合“密集物体恐惧症者”(trypophobe)观看，巴洛克是密集物体恐惧症者的噩梦成真。\n\n分裂分析德勒兹\n\n[1] PL, 48.\n\n[2] PL, 48.\n\n178","previous_page":177,"next_page":179}