{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":242,"pdf_page":273,"physical_index":273,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"6aa98fa76f40a159d6bc7a5e837d99ed53389045a9f26c0b349ecf04aa33fb93"},"chapter":"第三章 起源与重复","content":"二、卢克莱修的影像唯物论\n\n欲理解德勒兹的拟像理论便不能不提及伊比鸠鲁派的卢克莱修(TitusLucretius Carus)。根据后者，影像并不形成于感知主体，而是来自肉眼难辨的“拟像微粒”，其“产生自纤薄的外膜，松脱于物体表面且纷飞于空气的各个方向中”。[1]拟像微粒包覆着所有物体而且有着相同的形式与外观，它们不断散射于空间中且不丧失其结构。卢克莱修令人诧异地展示了一整套(可能也是思想史第一套)影像唯物理论，企图将影像铭刻于现实载体上，摒弃影像与想象或意识的根源。拟像的独特地位在于肯定影像独立于一切感知主体之外，“位于”物体上就如同“一大群无法感知的微粒”不停放射到所有方向中。拟像微粒是不可感也不可知的，影像则是大量相同拟像微粒在某一“银幕”上的积累。换言之，如果没有拟像微粒的预先放射与接收，就不会形成影像。在具体实现于主体知觉之前，影像总是已“虚拟地”存在于物体上了。我们在此看到伊比鸠鲁派对柏拉图影像论最大胆的冲击：影像不源自于主体的观念或想象建构，感知主体能扮演的角色只不过如一幅遮挡其放射路径的可感银幕。影像与意识无关，是全然物质与无意识的。如果没有拟像微粒，个体的知觉便不复存在，拟像微粒及其所形构的影像就是现实不可切割的一部分，或更确切地说，现实由此而生。在这点上，我们将看到柏格森是多么接近卢克莱修。\n\n分裂分析德勒兹\n\n[1]关于伊比鸠鲁派的拟像论可参考卢克莱修的《物性论》(Dela nature)，第四章，§33，或伊比鸠鲁的《致希罗多德的信》，收录于《书信，箴言、格言》(Lettre,maximessentences)。另外，德勒兹的《卢克莱修与拟像》，收录于《意义的逻辑》。\n\n242","previous_page":241,"next_page":243}