{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":243,"pdf_page":274,"physical_index":274,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"93851283f3154f42b7a1b3591611050313e3ba8e4f6e399e2f8f66ee3cb3cd09"},"chapter":"第三章 起源与重复","content":"拟像不可感知，因为它在“比可感时间最小值更小的间距中”产生位移，亦即在主体意识可察觉的时间门槛以下，而“可感时间的最小值”则是拟像积累成物体影像所需时间。[1]影像如同是意识的门槛，而细微的拟像则存在而不被感知，或者不如说，拟像是与任何知性无关的纯粹感觉，需要一只“物质之眼”(matière-œeil)来察知。拟像因而可以说同时是不可感受与只能被感受之物，它不可感受，因为移动速度比感觉更快，但却也只有感觉才得以在第一时间察觉其存在(所有知性的运作皆启动于后)。\n\n拟像就如物体的虚拟影像，围绕每一物体且不断将物体的实际影像投射于四面八方。前者是无意识、不可感知、无限细小、快速且不具任何特殊性质，团聚于每一物体表面的不可见粒子云雾，后者则是可感、缓慢、带特殊性质（颜色、形状、质地……)的可见影像。\n\n在《卢克莱修与拟像》中，德勒兹勾勒了拟像与反柏拉图主义的巧妙关联，我们再次见识了德勒兹惯常的哲学阅读手法，以“间接自由言说”的方式不断游移于作者的思想与被指涉对象之间。重点已不再是卢克莱修是否真的说过这句或那句话，德勒兹忠于原著吗?因为卢克莱修已不再是历史上那位罗马诗人与哲人，他被转化成“概念性人物”并被连结到德勒兹哲学中与虚拟影像有关的思想平面中，卢克莱修成为虚拟（影像）及实际（影像）间的双重运动，必须将视野延伸到另一位概念性人物，柏格森，才能理解这块思想平面呈现的思想风景。\n\n附录\n\n[1] LS, 318.\n\n243","previous_page":242,"next_page":244}