{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":249,"pdf_page":280,"physical_index":280,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"4e62e1e54561f5f1381de662786f763c196fb0cb513b80876aed2b3a81baa970"},"chapter":"第三章 起源与重复","content":"对我而言似乎显而易见的，影像不在现在。在现在的，是影像所“再现”之物，而非影像自身。影像本身是时间关系的总体。[2]\n\n德勒兹在此进一步扩展了影像的意义：影像既存在于真实时间却又不在持续现在；既是事物生成最直接的展示，也促使时间关系的总体(过去、现在与未来)变得可见，但却又与再现作用毫无瓜葛。正是在此，有某种东西超越了再现式影像所能表现的极限。柏拉图将这种影像称为幽灵或拟像似乎也不太适切，因为这里已不再是范型与摹本或摹本与拟像间的区别。将影像纳入范型一摹本的模式来思考，或将影像等同于移印素描似乎都不能表现这个概念的复杂性，也不够涵盖其所有可能。我们的问题在于：从物质平面（所有影像的总体)到时间关系的总体，影像究竟意味什么？如果真实时间不等于现在，而是过去、现在与未来的无穷复杂组合，这个组合如何运作?\n\n附录\n\n[1]“运动一影像平面即变动中大写整体（换言之，时间或普同的生成）的一个动态切片。”(IM,101)\n\n[2] Deleuze, “Le cerveau, c'estl’écran” , Deux régimes de fous et autres textes, 270.\n\n249","previous_page":248,"next_page":250}