{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":256,"pdf_page":287,"physical_index":287,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"f252e7b52ca54e2b9a2d2dda27b28a4e271566382b42e72dd81cb2822295e38c"},"chapter":"第三章 起源与重复","content":"影像是一种多样性而非再现，透过柏格森，德勒兹为这句话作了最佳注脚。在这个饱含能量与强度的影像论中有着德勒兹哲学最基本的核心：虚拟与虚拟性。这是一直到德勒兹自杀前从未停止思考的问题。[2]\n\n德勒兹不只一次提到，每个物体都可分成两半，一半是实际的，另一半则是虚拟的。这并不是为了树立新的两元性，而是说明二者在时间中展现的多样关系，因此，当我们读到德勒兹在生命最后以繁复笔法写出下列句子时应该不会太诧异：“所有实际都围绕着虚拟影像的云雾。这云雾由或远或近的共存回圈中涌现，虚拟影像则分配与奔驰于上。……所有实际都围绕不断更新的虚拟性回圈，每个回圈都散射出另一个，且所有回圈都围绕与反应于实际。”1仅管德勒兹未言明，这段话明显指向柏格森的影像论，这些层层叠叠的回圈都共同指向实际物体及其虚拟影像构成的最小回圈。关于这点，德勒兹早先便曾在另一本书中解释：“诸回圈能对应愈来愈深沉的现实叠层与愈来愈高阶的记忆或思想层级而愈来愈发展。然而，正是实际影像及其虚拟影像所构成的最紧回圈承载着整体且作为内在界限……”[2]\n\n分裂分析德勒兹\n\n[1]柏格森这个图式可参考MM,113-116，或本书的“虚拟的图式”小节。\n\n[2] 德勒兹死前与死后不久所发表的两篇短文：《内在性：单一生命…………》与《实际与虚拟》(可参阅本书附录的译文)，集中于再厘清虚拟这个概念，其重要性不言可喻。对德勒兹的虚拟概念与文学的关系，亦可参考《德勒兹，文学论述者》，杨凯麟，《书写与影像》，台北：联经，2015，241-263。\n\n256","previous_page":255,"next_page":257}