{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":263,"pdf_page":294,"physical_index":294,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"b56e28968e06dd97267c302e18443b4b8823cc785b3a1b3c9fd07e84b5439814"},"chapter":"第三章 起源与重复","content":"实际物体与虚拟影像，物体成为虚拟与影像成为实际，这是早已在基本光学中出现的插图。然而无论如何，当大写时间经由两大途径自我差分化来前进时，虚拟与实际的区分对应着大写时间最根本的分裂：使现在逝去与使过去保存。现在是由连续时间(亦即由假设单一方向运动）所测度的变异资料：当这段时间耗尽时现在就逝去了。逝去中的现在定义了实际，而虚拟则显现在比测度单一方向运动最小值更短的时间中。这是何以虚拟是“瞬息的”，但同样也是在虚拟中，过去自我保存，因为这个瞬息不停地继续在后续的“最小”中，且都意味方向的改变。比在单一方向中可思考的连续时间最小值更小的时间同时也是最悠长的时间，是比在一切方向可思考的连续时间最大值更长的时间。现在（以其尺度）逝去，而瞬息则（以其尺度）保存与自我保存。虚拟立即沟通于将其分离的实际上方。逝去的现在的实际影像与自我保存的过去的虚拟影像，这两个时间面向区分于实际化中，有无法指认的界限，在晶体化中互换，直到不可区分，每个都借用另一个的角色。\n\n附录\n\n[1]《上海小姐》（The lady of Shanghai)是美国导演奥逊·威尔斯(Orson Welles) 1947年的作品。德勒兹曾在《时间一影像》中作为虚拟影像的重要例子深入讨论，参见IT，98-99，或特别是页189之后。\n\n263","previous_page":262,"next_page":264}