{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":43,"pdf_page":74,"physical_index":74,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"9c57dd545a787f84a4285d549d3631a747bde44cb79eb4003263dd1d557fcf68"},"chapter":"第一章 时间","content":"概念的创造是一种由实际与虚拟所展现的剧中剧，现实以各种不可感、不可见、不可思的方式“被倍增”于艾甬时间中。一边是常态、变态或生成一疯狂的现在事物状态，这是无限却限制的可见、可感与可思；它是无限的，因为现在永不耗竭地源源而至，是限制的，因为现在遵守形体的一切物理法则。相反的在另一边则是界限与极值的虚拟剧场，这是现实中“不被实际化部分”，时间的“直接影像”，但同时亦是由极值律法所愈来愈剧烈增压的反实现化作用。创造概念必须反实现化事物状态，从经验现实中倍增、切分与裂解出虚拟现实。谢德庆以6分5秒倍增在1980年到1981年间的一整个历时时间年，骆以军以《西夏旅馆》“梦里寻梦”，袁广鸣将台北带往对抗台北的“城市失格”.……，这是《时间一影像》中所谓的“去实际化现在的极点”[1]，这些作品都以不可见倍增可见，都在实际现实中裂解出不被实际化（去实际化或反实现化）的虚拟性，并且呈显时间的直接影像，艾甬或晶体时间。\n\n历时时间与艾甬的区分是实际与虚拟的区分，这意味着现实总是必须切分为两个差异却相关的部位，二者都是现实的，但是却绝对不可混淆。对于总是必须以倍增与戏中戏的方式才能被理解的现实，德勒兹说：\n\n第一章 时间\n\n[1]“如果时间直接显现，这是在去实际化现在的极点，是在虚拟过去层。”(IT,170)\n\n43","previous_page":42,"next_page":44}