{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":59,"pdf_page":90,"physical_index":90,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"d49fd0f9c1467e6fc5a36de7e2ddbfdd0dfa3460ba5b83ddb17761b568df43cb"},"chapter":"第一章 时间","content":"完全由零度影像（光线）所建构且不具中心的物质平面是一种“运动一影像的机械布置”[2],相互影响的过饱合能量四处流窜，柏格森从中分辨出一种特权影像：身体-影像(image-corps)或活体影像(image vivante)，这是中介于被知觉影像(image perçue)与作用影像(image agissante)之间的间隙(intervalle)或“未决中心”(centresd'indétermination)。在无穷光线与能量的混沌中，身体一影像作用且反作用、知觉且发出动作，使物质平面产生各种崭新事物。]在物质平面上一切都是实际与立即的，所有运动一影像都已不具有虚拟性，因为在物质平面上没有隐藏的能量，一切都已实际化，而一切实际化都成为影像，即使尚未被主体感知。[2]这就是《运动一影像》的论述核心。\n\n第一章 时间\n\n[1] 柏格森对电影影像的批评主要着落于其机械性地再现一种虚假运动，可参见他 的L'évolution créatrice,Paris: PUF,1994、第四章“思想的电影机械论与机械论幻想”(Le mécanisme cinématographique de la pensée et l'illusion mécanistique).\n\n[2] agencement machinique des images-mouvement,“柏格森在此有卓越的推进：宇宙就如自在电影，一种形上电影，其在电影本身上寓涵了一种迥异于柏格森在其表面批评中所提出的观点。”(IM,87-88)\n\n59","previous_page":58,"next_page":60}