{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":63,"pdf_page":94,"physical_index":94,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"9748e886af128eb2afb6be6cab6b7f56f8aadb7705cad313655aef6a0faee5d1"},"chapter":"第一章 时间","content":"五、思想一影像或思想=影像[2]\n\n影像问题占据着德勒兹哲学中非比寻常的位置，德勒兹从不止息地思考影像及其引发的诸问题，对他而言，思想就是一幅影像，思想与“思想的影像”是分不开的，德勒兹甚至提出一个全新的复合词汇：思想一影像，既重新赋予影像迥然不同于柏拉图哲学的意涵，也同时展示差异思想的概念创造性。\n\n第一章 时间\n\n[1] 电影史上这个意味深远的影像危机构成《运动一影像》最后一章的主要论述。\n\n[2]本章初稿〈德勒兹“思想-影像”或“思想=影像”之条件及问题性〉曾发表于《台大文史哲学报》，2003，59，337-368。\n\n63","previous_page":62,"next_page":64}