{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":75,"pdf_page":106,"physical_index":106,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"10ae74974c30bb5d9f0845cb0c0f0bc624bab0413edaa16d195e421ec93372d1"},"chapter":"第一章 时间","content":"3. 时间的威力\n\n在柏格森的两幅图示中，回忆与知觉、记忆与物质、过去与现在……都以实际与虚拟的最小回圈为前提，最小回圈是一切回圈的芽，随着时间延长增生出愈来愈扩大的共存回圈。光符或声符由局部逆行(即最终将重拾感觉一动力连结的回忆一影像)或整体悬宕(即处于漂浮状态的梦境一影像)朝虚拟影像开敞，但只有在实际影像与其虚拟影像的最小回圈处才具有影像的发生学意义，德勒兹将此影像称为晶体-影像(image-cristal)。[2]回忆一影像只是知觉与回忆间的单纯往返运动，而梦境一影像则是此运动的终止，二者仍然停留于时间的间接再现中，只有晶体一影像（由实际与其虚拟构成的最小回圈)才真正展现了时间的直接影像。碧希一格鲁斯曼在论述德勒兹的影像论时曾指出，晶体成为一种时间的可视形式，是“事件、时间与影像的模式，其全面指向作为力量的虚拟美学。”[1]\n\n第一章 时间\n\n[1] IT,85.\n\n[2] IT, 92-94.\n\n75","previous_page":74,"next_page":76}