{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":77,"pdf_page":108,"physical_index":108,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"f5be22fa661c06b2b888c13b3dc79bd3fee97813d0e96313d6bbff6e11b88aca"},"chapter":"第一章 时间","content":"晶体一影像是自我保存的过去与不断逝去的现在之交会，实际与其虚拟的作用在此构成让时间可见的最小回圈，这并不是历时性时间，因为一切时间的能量都汇集于此，一切事件也由此爆发，这个时间的可见性因而是极暴烈与残酷的。时间一影像具有暴力的特质，因为只有在此纯粹过去不断自我重复，而被切分的现在不断自我差异，纯粹差异与纯粹重复成为时间的两种主要威力，过去在每一现在的重复对应着每个新的现在的差异。晶体一影像所呈显的非历时性时间必须透过差异与重复来表现，而这二者则来自实际与其虚拟的结晶作用。虚拟过去自我重复于每个差异的现在之中，时间一影像就是自为重复的过去与自在差异的现在的共存。只有在这个条件下且只有以差异与重复作为语言，德勒兹的影像论才真正被建构出来，而时间得以彻底脱离其与运动的再现关系，成为影像的真正威力。\n\n第一章 时间\n\n[1] 16世纪的西班牙画家埃尔·格列柯(EIGreco)似乎完美地展现了实际与其虚拟的关系，他的作品中总是存在两块平面，两种差异的力量，而一切的光、火、风暴、云叆、闪电则由一只白鸽从二者交界间夹带喷涌而出(比如《报喜》[L'Annonciation])。这是两个最遥远世界（天堂与人间)不可分离也不可或缺的连系。而既非其中之一也非另一足以独自构成影像。可参阅附录《虚拟的逻辑与影像的意义》中的分析。\n\n[2] Didi-Huberman, Georges. Devant l'image. Paris: Minuit, 1990, 27-28.\n\n[3]关于结晶作用，G. Simondon曾很适切地予以描述，请参阅L'individu et sa genèse physico-biologique, Grenoble: Jérôme Millon, 1995, 84.\n\n77","previous_page":76,"next_page":78}