{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","id":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","uuid":"4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title":"分裂分析德勒兹 先验经验论与建构主义","normalized_title":"分裂分析德勒兹先验经验论与建构主义","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":327,"navigation_url":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","title_url":"https://workshop.closeclaw.top/ai/title/%E5%88%86%E8%A3%82%E5%88%86%E6%9E%90%E5%BE%B7%E5%8B%92%E5%85%B9%20%E5%85%88%E9%AA%8C%E7%BB%8F%E9%AA%8C%E8%AE%BA%E4%B8%8E%E5%BB%BA%E6%9E%84%E4%B8%BB%E4%B9%89","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d","page_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/page","search_url":"https://workshop.closeclaw.top/api/ai/books/4bd1f0d7-8363-46b4-a5b5-0c3ef555a01d/search"},"page":{"printed_page":87,"pdf_page":118,"physical_index":118,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"dc0e69ccfb5b3e530d2df68f02451e7d37133e62f5e16da35681c215771926fd"},"chapter":"第一章 时间","content":"时间一影像意味实际与其虚拟在最小回圈中直到不可分辨的交互作用，仿佛只有在此，极外的大写世界与极内的大写思想才得以拓扑接触，而思考发生于此也只能发生于此。“银幕本身便是脑膜(membrane cérébrale)，过去与未来、内部与外部在此立即且直接对峙，其毫无可指定之距离，且独立于所有定点。影像的第一特征并非空间与运动，而是拓扑学与时间。”1]大脑思考，因为它是一幅虚拟与实际交互作用的思想一影像。大脑既是这两种不同多样性的运作或对峙，也是所有这些关系的结果。在《何谓哲学？》中，德勒兹一加塔利分辨三种不同的思考，亦即三种迥异的大脑拓扑学：哲学、科学与艺术。这是以不同方式折曲大脑的三种拓扑平面，“透过这些平面，大脑沉浸于混沌且对峙于混沌。”[2]这三门基本学科并不相互对立，而是同一个大脑在三种平面的不同展现。大脑，就是思想一影像，就是世界与思想拓扑交接的交融之处。我们因而获得影像的第二拓扑学定义：思想一影像（大脑）是思想与事物的拓扑同一性，而此拓扑同一性由虚拟与实际在最小回圈的交互作用所保证。事物的拓扑学翻转便是思想，然而关键在于这个翻转如何可能？影像问题最终仍然回归到最基本的哲学问题，亦即：思考如何可能?虚拟如何与实际组成最小回圈启动结晶作用？德勒兹对影像概念的正面建构使得思考等同于影像生成，哲学成为一种影像发生学，而影像不再是再现与模仿，而是思想一影像。思想一影像的生成成为德勒兹影像论的赌注，涉及的虚拟及实际的多样性配对，确切地说，思想一影像正是这组多样配对的结果。\n\n第一章 时间\n\n[1] IT, 164.\n\n[2] QP, 197-198.\n\n87","previous_page":86,"next_page":88}